Pollock Style Yellow, Red, Blue & Black Splatter Abstract Oil Painting on Wood

This wonderful painting makes the perfect addition to any home, business, or office. Creative piece of art with many elaborate colors on the canvas. Please confirm item location ...

This painting has heavily textured acrylics in multicolored on wood. The artist created the piece using multiple techniques like palet knife, brush and pencil. The series is call...

1930's Italian abstract painting. Tempura painting in a slightly weathered black vintage frame. Dominant color is red with cream, black and blue. M...

An Enigmatic Abstract Oil Painting. This captivating abstract oil on canvas painting, attributed to the Barcelona artist C. Azuelos, invites the viewer on a journey of interpretati...

Midcentury abstract oil painting on canvas. Colorful Mid-Century Modern abstract impasto oil painting on canvas. This stunning square ...

"ATLAS 09" "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both ...

Abstract acrylic and ink painting on rice paper mounted on board by Andrew Lui. Titled: “Red Journey 1”. Reds, yellows with accents of aqua blue, lavender and black. Signed and dated...

This ceiling to floor large-scale painting is an intimate portrait of Lazard's workspace and creativity. "That is how I spend my time all the time," says Lazard. Part of the genius o...

Excellent example of a large oil on canvas abstraction by Fred Hocks from 1957. This painting was included in the 1976 retrospective at the Fine Arts Gallery in San Diego which later became the San Diego Museum of Art. No painter embodies San Diego’s early avant-garde more than Fred (Ferdinand) Hocks, a German-born painter who began visiting San Diego in the late 1920s after studies at the California School of Fine Art in San Francisco and the Art Students League in New York. Fellow painter Dan Dickey credited Hocks in 1947 with “opening up pathways for future, more enlightened generations (of artists),” and predicted that Fred Hocks would be “esteemed a master.” During the post-war years Hocks was assistant director of the San Diego School of Arts and Crafts, a private art school in La Jolla, and was instrumental in keeping affordable artist’s studios in Spanish Village. Along with modern architect Lloyd Ruocco, Fred Hocks co-founded the dynamic Allied Artists Council with Belle Baranceanu, Everett Gee Jackson, Dan Dickey and John Olsen. The well-travelled Hocks exhibited in San Francisco, Oakland, Los Angeles, Long Beach, Pasadena, Paris, Mallorca and Guadalajara, had several one-person shows at the Art Center La Jolla/La Jolla Museum of Art and at the Fine Arts Gallery (SDMA). The San Diego Museum of Art held a major retrospective of his painting in 1976, just a few years before his death. He brought a continental element to the local art scene and is described in Bruce Kamerling’s 100 Years of Art in San Diego as “one of the most adventurous local artists…an intelligent and articulate defender of modern tendencies in art.” Local arts and architecture writer James Britton called Fred Hocks “the dean of the San Diego moderns...

"ATLAS 12" "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both ...