Portrait of a Young Rider by John Opie(Eng. 1761-1807)

A large oil on canvas depicting a youthful father with his three children, two of which are behind him playing musical instruments, the daughter with her harp and son playing the flute. A third child with his back to the painter faces his father. The painting is presented in a carved and gilded wood frame. Like the great majority of Opie's work, this painting is not signed or stamped. Opie lived at No 8 Berners Street where he moved in 1791, the street famous for artists, composers and instrument makers. Jacob Erat the famous harp maker lived in the neighbourhood and moved to 23 Berners Street before his death in 1821. This painting could be the painting referenced in John Jope Rogers, "Opie and his Work" Truro 1878, Page 220, entitled 'Musical Party'. Provenance: Charles St. George Quechee, Vermont; New England Private Institution; Sotheby's New York April 7, 1989, Lot 1, as John Opie, Portrait of a Gentleman and his three children; Private collection Connecticut. John Opie RA, (May 1761 – 1807), was a Cornish historical and portrait painter. He painted many great men and women of his day, including members of the British Royal Family, and others who were most notable in the artistic and literary professions. Opie's artistic abilities eventually came to the attention of a local physician and satirist, Dr John Wolcot (Peter Pindar). Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, Opie moved to London with Wolcot, having entered into a formal profit-sharing agreement with him. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy. A portrait of a boy shown at the Society of Artists the previous year had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez, and to prospective patrons. The business arrangement with Wolcot lasted for a year after which Opie informed the doctor that he now wished to go it alone, leading to the estrangement of the two former partners. Through the influence of a Mrs Boscawen, Wolcot managed to have Opie introduced at the court of King George III. The king purchased one of his pictures and commissioned him to produce a portrait of Mary Delany...

This portrait of a young man with vivid red hair, blue eyes and a ruddy complexion was painted by John C. Menihan, one of the most renowned portraitists and watercolorists of his day...

Acrylic on canvas. Darling portrait of a young girl with a bow in her hair. Signed Kiki on the bottom right.  

Portrait of a Young Child by E. Shulz Oil paint on board.

Portrait of a young Russian or French girl executed in charcoal and gouache on paper. Harlamoff was most renowned for his masterful portraits of young girls of which this is a fine example, chosen for their charming and innocent beauty. Signed lower left A. Harlamoff. Signed on the reverse Alexei Harlamoff. Alexei Harlamoff was born in the village of Dyachevka near Saratov on the Volga. He studied at the Academy of Fine Arts in St. Petersburg, and he won both a Gold Medal and a scholarship in 1868. The scholarship enabled him to travel to Paris, where he studied under portrait painter Léon Bonnat, and by 1874 he was visited by Russian marine painter Alexei Bogoliubov, who reported back to Russia on the young artist’s visible success. In 1875, Harlamoff exhibited his portraits of Louis and Pauline Viardot to great acclaim, marking a turning point in his career. French writer Emile Zola...

Portrait Painting of Young Girl by Dana Coomans 40.25 x 26.25