Reproduction of Chadding on Mount’s Bay Oil Canvas by Alexander Stanhope Forbes

These are a set of Four “triptychs” oil paintings on canvas of the twelve apostles. Each one of the “triptychs” are rectangular shaped, divided i...

This is a miniature watercolor painting featuring the ceremony to secure the Tower of London by the British Beefeaters (They are in charge to protect the Crown Jewels). The guards ar...

This is an Elaine Vollherbst, lane acrylic canvas painting. It is called The Joy of Life I. It is a very large rectangular framed painting that depicts a happy monkey dressed as an 1...

This is an oil painting that illustrates a peasant female in a countryside path walking down toward a lake at the sunset. Two large trees define the path. There is a small house at t...

Two little girls in the wood are surprise by a reindeer hidden in the greenery. This painting was acquired in Munich on 1878 by an American collector ...

This is a KPM style hand painted plaque of Saint Catherine of Alexandria. The bright colors of her robes highlight her porcelain skin. Sh...

Large oil on canvas by Terence Alexander-British Large oil on canvas by Terence Alexander-British elegant oil on canvas from the 50s signed by Terence Alexan...

Oil on canvas of a Pueblo painted by Luciano. Paint is applied with a palette knife in heavy form creating an abstract image of a Spanish Pueblo in Madr...

Signed dated ad titled “The Irresistible Landscape”. This painting was personal to the artist as Brook was born on July 14, 1898 ad at the age of twelve was bed-ridden with Polio. This painting is a self-portrait showing the artist looking out the windows of the room he rarely was able to leave. This painting was exhibited at the Pennsylvania Academy of Fie Arts ad the Ogunquit Museum Of America Art, exhibition tags from both institutions are attached to the stretcher en verso. Born in Brooklyn, New York, Alexander Brook was a realist painter, whose works consisted mostly of still-life subjects, landscapes, and figures, often of women. He was very successful in his day, winning second prize to Picasso's first prize at the Carnegie Institute International Exhibition of Modern Painting in 1930. In New York, he studied at the Art Students League between the years of 1914-1918. It was at the Art Students League that Brook developed significant relationships with Niles Spencer, Reginald Marsh, Kenneth Hays Miller, Yasuo Kuniyoshi and, perhaps most significantly, Peggy Bacon, whom he married in 1920. Along with Kenneth Hayes Miller, Brook studied with John C. Johansen, Frank V. DuMond, George Bridgeman and Dimitri Romanofski. Within this group lay the foundations of American Realism. Brook was a member of the Society of Independent Artists, who rebelled against the strictures of the National Academy of Design. In 1938 Brook traveled to Savannah, Georgia, there he did some of his most provocative work. After two years in the South, Bacon and Brook were divorced. Brook later married the painter Gina Knee. During the years 1928 through 1939, Alexander Brook had works in over one-hundred exhibitions, fifteen of which were one man shows. By 1942, Brook had resumed teaching at the Art Students League. Demand for the artist's work kept him in significant collections, galleries, and museums, including the Downtown Gallery (New York), the National Academy of Design, the Rehn Gallery, the Larcada and the Knoedler galleries. Some feel Brook may have retreated from the art world with the rise of Abstract Expressionism, although a sketchbook that he kept from 1949 to 1951 reveals an active engagement in painting and served multi purposes--a repository for his ideas, an address book, notebook, and travel diary. Of special interest are his notes on watercolor technique. It also includes tips for using new painting tools...

This is a framed male nude torso museum reproduction. This reproduction painting is in black, cream, and shades of gray. This painting is presented with his original frame and has th...

Intriguing abstract painting by acclaim Russian artist Alexander gore, oil Painting on canvas and is frame in shadow box with glass for protection. Signed and dated by the artist. A...

Rita Mount (1884-1967) - Canadian. "EFFET D’OMBRE A MIDI." A.R.C.A. Oil on canvas. Measures: 34.3" wide x 30.2" high without frame. 45" wide x 40" high with frame. Free shipping within the United States and Canada. A student of art from the age of 10, Rita Mount received extensive artistic training, studying at the Cercle Internationale des Beaux-Arts in Paris, the Art Association of Montreal under William Brymner (where she won a two-year scholarship), the Art Students’ League under Frank V. Du Mond, and taking courses in landscape painting with John Fabian Carlson in New York state. Following her studies, she returned to Canada and established a studio in Montreal. In search of new landscapes, Mount traveled all-over North America, driving to Banff in 1934, and to Victoria and Yellowstone Park, Wyoming in 1937. She then turned east, painting in Cape Breton Island, Nova Scotia, the Gaspe, and elsewhere in Quebec. Throughout her travels, she sketched and painted. Her work, combining impressionism and decorative realism, has been shown at the Continental Galleries, Watson Art Galleries, Klinkhoff Gallery, Morency Frères Ltee (all in Montreal), the New York World’s Fair (1939), the Coronation Exhibition, London, England, and the British Empire Overseas Exhibition. A member of the Independent Art Association, she also participated in exhibitions of the Ontario Society of Artists, the Art Association of Montreal and the Royal Canadian Academy, of which she was elected an associate in 1938. In addition, the artist mounted a three-woman show at the Municipal Building, St. Andrew’s East, near Montreal in 1958 with Irene Shaver and Vivian Walker...