Rudolf Kämmer, Acrylic on Canvas, 1971

Franz Mörscher The composition of the painting is deliberately designed for reduction and corresponds to the idea of cultural minimalism and the new objectivity that developed in the 20th century. Mörscher chooses the rational, crystalline form of the representation of selected objects (vases, lemon, fruits?) and uses color as surface and line to create structure in the space. In this composition, Mörscher reduces the classical means of perspective to create a pictorial space between object light and color. The application of paint appears partially modeled. The natural crack and fissure network (Krakelee) of the sometimes layered paint application seems to be deliberately achieved. The selection of the depicted objects is possibly also based on symbolic aspects. After the desolation of the war years, the painting speaks of the color world of the spirit of optimism of the 1950s. W 63 x H 50 Measures with frame: W 71 x H 58 Biography Franz Mörscher was born on November 7th, 1931 in Bundenbach and died on July 14th, 2018 in Neunkirchen (Saar). Besides the sculptor Hubert Nietsch, he was the second artist to set a monument to the miner’s cow in public space in Germany from 1993 to 1995. Franz Mörscher studied from 1951 at the School of Arts and Crafts Saarbrücken with Boris Kleint among others in the subjects of painting and sculpture. During his studies he met the photographer Otto Steinert...

The painting „Frau vor Säule“ presented Chen Yun Wang / Wang Chengyun in the room “Ying”, titled Black Room of the Past. Provenance: Schenning Collection, Goslar. Oil on canvas. Signed on both sides. Chen Yun Wang, 20. September 2019, Text: Kai Hunsicker Gallant wanderer between China and Germany. Chen Yun Wang (born 1959) is one of the better known representatives of contemporary Chinese classical...

Philippe Starck, two-seater sofa in leather, designed for the restaurant “Kong” Paris. The offered sofa was produced only six times in this color.

Marcus Ferreira designed this armchair to the favelas in Rio de Janeiro, Brazil.

A high quality furniture where the tray is removable and the table is foldable.

Designer Frank O. Gehry Hersteller Vitra Jahr 2001 Land Deutschland Zustand Sehr guter Zustand / Restauriert Frank O. Gehry entwickelte schon 1972 aus einem Alltagsprodukt ...

Mixed-media acrylic and paper collage on canvas (circa 1971) entitled "Heavenly Jerusalem" by Yankel Ginzburg. Surrealist in style, with the Wailing Wall and Old City of Jerusalem serving as the central image. There are collage elements (pieces of a musical composition cut and pasted to the canvas and painted over) along with painted Hebrew script. Important painting featured on the cover of the May 1971 issue of "Hadassah Magazine." Artist signed. Edge wear to the frame, painting itself is in fine, vintage condition. Yankel Ginzburg (b. 1945, Alma-Ata, Kazakhstan Republic) Awards and Honors 1994 Whitney Museum of American Art, NYC: unveiling of sculpture collection Gondolas 1992 Art Academy, Moscow, Russia: one-man exhibition 1992 Humanitarian Honor First Class, awarded by President Boris Yeltsin and the Supreme Soviet of the Russian Federation 1991 King’s College, Wilkes-Barre, PA: commissioned artwork 1991 President George Bush: commissioned artwork to present to Russian President Boris Yeltsin 1985 Bicentennial of the U.S. Constitution: commissioned graphics 1983 Air & Space Museum Bicentennial: official poster, commissioned by President Ronald Reagan, Washington, D.C. 1979 “Hands and Hearts,” monumental mural commission, downtown, Washington D.C 1978 Modern Masters of Israel, Philadelphia Museum of Art, PA; Skirball Museum, Los Angeles: Works on Paper, one-man show, CA 1976 U.S. Bicentennial Celebration: commissioned to create monumental tapestry “Freedom Road,” Washington, D.C. 1975 International Art Fair, participant, Cologne, Germany 1977 Admitted to Who’s Who in American Art, and Who’s Who in America 1967 Marc Chagall Museum...

Ed Kerns (American, 1945), “Strands Grow”, signed, titled and dated verso, in brass slat frame. From a series of 100 painting commissioned by art collector La...

Monumentally scaled, abstract, hard-edge painting with vertical stripes by world-renowned American color field painter Gene Davis. Titled King's Bedchamber and executed in 1971. Par...

BIO The career of Peruvian-Palestinian artist Omar Ananias:

Ananias's artistic career began with sculpture and drawing under the guidance of his mother as his principal mentor, following in the footsteps of his family's long tradition of opera singers, musicians, classical dancers, painters, writers, and other artists. She owns "The House of Nymphs," an exquisite oceanfront artist retreat in Peru with a very unique private collection of artists, including friends, relatives, and Omar's earliest works.



Omar has also trained as a professional contemporary dancer and a yoga/mindfulness teacher since he was fifteen years old and, as a result, sought accreditation as an art therapist.

His work with sexual workers, the disabled, indigenous populations living in the Amazon Rainforest, prisons, and orphanages has brought him well-known recognition. He has worked for more than 20 years with various governments and organizations all over the world.



Techniques and inspiration used by Ananias:

His artwork has drawn inspiration from various sources including: the natural world, his personal encounters with marginalized communities, and the indigenous knowledge of the rain forest. Additional inspiration is drawn from Kris Gebhardt, Viviana Quea, Gam Klutier, Hideaki Yamanobe, and Carola Kastman.



Omar Ananias's love of the natural world also inspires him to create landscape designs and live plant sculptures made of clay, glass, and wood, in addition to his digital portraits and mixed-media abstract paintings on canvas.

He uses many self-made and unconventional instruments/materials for his paintings such as condor feathers, Peruvian gold...

Author unknown, Heartbeat Acrylic on canvas Work signed Margu-20 on the back of the canvas Work dimensions 60/40 Unframed work Work in original vintage condition.

"Who's the Fairest?" titled on verso, is an abstract painting on canvas, artist unknown. Unframed.