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"Shipyards, San Francisco", circa 1950s

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  • Francisco Rebajes African Ubangi Tribe Copper Dish c.1940-1950 (FREE SHIPPING)
    By Francisco Rebajes
    Located in San Francisco, CA
    ABOUT A mid-century copper trinket dish designed by Francisco Rebajes with stylized horse motive. Stamped "Rebajes". CREATOR Francisco Rebajes. DATE OF MANUFACTURE c.1940-1...
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  • Francisco Rebajes African Ubangi Tribe Copper Dish c.1940-1950 (FREE SHIPPING)
    By Francisco Rebajes
    Located in San Francisco, CA
    ABOUT A mid-century copper trinket dish designed by Francisco Rebajes using his iconic African Ubangi tribe member and necklace motive. Stamped "Rebajes". CREATOR Francisco Reb...
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  • 19th C. Mexican Retablo "Veronica's Veil", c.1880
    Located in San Francisco, CA
    About An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...
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    Antique 19th Century Mexican Folk Art Paintings

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  • 19th C. Mexican Retablo Saint Francis c.1880
    Located in San Francisco, CA
    About An original 19th century Mexican folk retablo of Saint Francis. Oil paint on tin. St. Francis of Assisi, Italian San Francesco d’Assisi was born 1181-1182 in Assisi, duchy of Spoleto, Italy and died October 3, 1226. He was canonized July 16, 1228. He founded the Franciscan orders of the Friars Minor and the lay Third Order. He was also a leader of the movement of evangelical poverty in the early 13th century. His evangelical zeal, consecration to poverty, charity, and personal charisma drew thousands of followers. Francis’s devotion to the human Jesus and his desire to follow Jesus’ example reflected and reinforced important developments in medieval spirituality. Cretor Unknown. Date of manufacture c.1880. Materials and techniques Oil Paint on Tin. Condition Good. Wear consistent with age and use. Dimensions H 14 in. W 10 in. History Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...
    Category

    Antique 19th Century Mexican Folk Art Paintings

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    Tin

  • 19th c./Early 20th c. Oil on Canvas Painting
    Located in San Francisco, CA
    Oil on canvas. 19th-early 20th century Unsigned. Unframed. CONDITION: Good. Wear consistent with age and use. Loss of paint on the lower left corner. Large indented area on left side.
    Category

    Early 20th Century Victorian Paintings

    Materials

    Wood, Paint

  • George Beline Oil on Canvas Portrait, c.1930
    Located in San Francisco, CA
    ABOUT An original oil portrait on canvas by George Beline. The artwork is unframed. Subject unknown. CREATOR George Beline (New York, Belarussian, 1887 - 1971). DATE OF MANUFACTURE circa 1930. MATERIALS AND TECHNIQUES Oil on Canvas. CONDITION Good. Wear consistent with age. Some craquelure. No visible inpaint under UV light. DIMENSIONS 28 in. x 24 in. x 1.25 in. HISTORY Born in Minsk, Belarus, George Beline settled in New York City. He studied in Paris at the Academie Julian with Jean Paul...
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    Early 20th Century Industrial Paintings

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    Paint

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