Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

'Something and Nothing in Red' by Kate Buckley

$3,441.99List Price

More From This Seller

View All
Flowing in the Right Direction by Peter Schmidt, 1971, Europaeische Graphik
Located in London, GB
Flowing in the Right Direction from Europaeische Graphik VII, 1971; lithograph printed in colours, signed and numbered 2/65 in pencil, printed by the Curwen Studio, published by Wolfgang Ketter, with their blindstamp. Note: For a similar example see Tate PO6459 Presented in a new hardwood ebonised box frame. About the artist: Peter Schmidt...
Category

Vintage 1970s British Modern Contemporary Art

Materials

Paper

Tree and malting by Michael A Evans, oil on canvas - signed, England - 1968
Located in London, GB
England, oil on canvas - 1968 Warm and leafy architectural composition of a malt house in profile with trees. Ochre and green hues applied in the British School style. A timeless an...
Category

Vintage 1960s British Mid-Century Modern Paintings

Materials

Canvas, Paint

Composition with a Figure by Teddy Millington Drake, circa 1963, Signed
By Teddy Millington-Drake
Located in London, GB
Oil on canvas, Villa Albrizzi - Veneto, 1963 Teddy Millington-Drake (1932-1994) was a nomad, linguist, bon viveur, aesthete and master gardener, but above all an artist. Discharged from service and in part inspired by his sister's anecdotes of her travels abroad, Millington-Drake embarked on a painting tour that took him to Lebanon, Iran, Iraq and Syria. He then rented a house, the Villa Albrizzi at Este, Veneto in Italy, and became a more frequent painter, particularly now of abstract murals. He befriended Freya Stark, a writer and traveler who lived nearby, and in Venice he became friends with Daisy Fellowes, Peggy Guggenheim, Barbara Hutton and Elsa Maxwell. In Este, he painted continually and more boldly, turning his hand to abstract murals. He later transformed a neglected Tuscan farmhouse in the village of Poggio which was co-decorated by his friend the designer John Stefanidis. There were vine-hung terraces and a skillfully landscaped garden. A swimming-pool was built on a shelf cut into the hillside, so that you felt yourself gliding towards the horizon, suspended in space as you swam. There Millington-Drake worked passionately at all forms of painting. There are haunting large abstracts inspired by Jung, hard-edged acrylic wave paintings and some intriguing semi-calligraphic works on paper based on phrases taken from the works of poets such as Cavafy, Mandelstam and Elizabeth Bishop...
Category

Vintage 1960s Italian Modern Paintings

Materials

Canvas, Paint

Composition with a Figure by Teddy Millington Drake, circa 1963
By Teddy Millington-Drake
Located in London, GB
Oil on canvas, Villa Albrizzi, Veneto, 1963 Teddy Millington-Drake (1932-1994) was a nomad, linguist, bon viveur, aesthete and master gardener, but above all an artist. Discharged from service and in part inspired by his sister's anecdotes of her travels abroad, Millington-Drake embarked on a painting tour that took him to Lebanon, Iran, Iraq and Syria. He then rented a house, the Villa Albrizzi at Este, Veneto in Italy, and became a more frequent painter, particularly now of abstract murals. He befriended Freya Stark, a writer and traveler who lived nearby, and in Venice he became friends with Daisy Fellowes, Peggy Guggenheim, Barbara Hutton and Elsa Maxwell. In Este, he painted continually and more boldly, turning his hand to abstract murals. He later transformed a neglected Tuscan farmhouse in the village of Poggio which was co-decorated by his friend the designer John Stefanidis. There were vine-hung terraces and a skillfully landscaped garden. A swimming-POOL was built on a shelf cut into the Hillside, so that you felt yourself gliding towards the horizon, suspended in space as you swam. There Millington-Drake worked passionately at all forms of painting. There are haunting large abstracts inspired by Jung, hard-edged acrylic wave paintings and some intriguing semi-calligraphic works on paper based on phrases taken from the works of poets such as Cavafy, Mandelstam and Elizabeth Bishop...
Category

20th Century Italian Modern Paintings

Materials

Canvas

Untitled, the Show Is over / Christopher Wool & Felix Gonzalez-Torres, 1993
By Christopher Wool
Located in London, GB
United Kingdom - Offset Lithograph on Paper, from the original show 1993 Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They often feature enigmatic, confrontational found phrases or illegible scribbles, which are either stencilled or plastered in black across flat white fields. The artist occasionally covers the compositions with spray-paint marks and screen-printed elements (some taken from his previous works), erasing and relayering as he goes. His process—which focuses on the possibilities of reproduction, appropriation, and accretion—is as important as the results themselves. Wool studied at Sarah Lawrence College and the New York Studio School. New York’s vibrant 1970s downtown No Wave and punk scenes became major influences, and Wool reached his mature style in the mid-1980s. Wool has exhibited in New York, Los Angeles, Chicago, London, Paris, Tokyo, Berlin, and beyond, and his work belongs in the collections of the Museum of Modern Art, the Centre Pompidou, and the Tate. His work has achieved eight figures on the secondary market. Drawing from Minimalism and Conceptualism, Felix Gonzalez...
Category

1990s British Post-Modern Prints

Materials

Glass, Hardwood, Paper

A Cubist Expressionist work on canvas, Eastern European, c1920
Located in London, GB
Stunning period Cubist oil painting on canvas with strong Futurist undertones, carries Cyrillic script as part of the composition. Visceral quality to the brushwork and application o...
Category

Vintage 1920s European Futurist Paintings

Materials

Canvas, Paint

You May Also Like

Richard Hirsch Encaustic Painting of Nothing, Painting of Nothing Series, 2013
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Paintings of Nothing is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing, Painting of Nothing Series, 2012
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Paintings of Nothing is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing, Painting of Nothing Series, 2012
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Paintings of Nothing is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

"Study in Red" by Michael Thompson
By Michael Thompson
Located in Chicago, IL
Chicago-based artist Michael Thompson creates unique compositions of abstract painted elements and a collage of vintage Asian ephemera—including fragments of fabric, scrolls, drawings, and books collected during his travels. In a departure from his split bamboo kite series, this work on stretched canvas entitled "Study in Red" layers textured paper and silken fragments within a rosy red color story. A gradient of red to pink sweeps across the composition, interrupted by a panel of Japanese silk depicting a whimsical scene...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Silk, Canvas, Paint, Paper

Richard Hirsch Encaustic Painting of Nothing #9, 2011
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #9 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painti...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #5, 2010
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #5 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painti...
Category

21st Century and Contemporary American Modern Contemporary Art

Materials

Clay, Organic Material

Recently Viewed

View All