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Vibrant Impressionist Landscape / Lake Painting

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California Landscape Painting Redwoods & Lake by Luther Evans De Joiner
Located in Fulton, CA
Original impressionist oil painting on canvas of redwood trees, mountains and lake by listed California Artist Luther Evans De Joiner. (1886-1954). Born: 1886 - Switzer, Kentucky. D...
Category

Mid-20th Century American Paintings

Materials

Canvas, Paint

Andre Tondu French Impressionist Painting
Located in Fulton, CA
French Impressionism oil painting on canvas by French Artist Andre Albert Tondu. Township view through trees. Original painted wood f...
Category

Early 20th Century French Paintings

Materials

Canvas, Wood, Paint

Still Life Impressionist Painting by Laura Mills
Located in Fulton, CA
1930s pointillism style still life painting depicting pottery vessels. Original gold leaf, museum quality frame. Deep, rich color palette. Laura Mills was a tennis pro in the 1920s i...
Category

Early 20th Century American Paintings

Materials

Canvas, Wood

Large-Scale William Keith Landscape Painting "Harvest"
By William Keith
Located in Fulton, CA
Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...
Category

Antique Late 19th Century American Barbizon School Paintings

Materials

Gesso, Canvas, Wood, Paint

Marin California Oil Painting by William Norris Dakin
By William Norris Dakin
Located in Fulton, CA
Original oil painting by noted California Artist William Norris Dakin. Titled "Ranch at Waldo, Marin County, Calif. 1932" Waldo is a region in Marin County in Northern California. Ne...
Category

Mid-20th Century American Post-Modern Paintings

Materials

Wood, Paint

William Norris Dakin California School of Fine Art Painting
By William Norris Dakin
Located in Fulton, CA
1950s painting depicting the California School of Fine Art in San Francisco in 1953. Dakin was a student of this school. Notice California Art Tile...
Category

Mid-20th Century American Post-Modern Paintings

Materials

Paint

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