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William Hart (American, 1823–1894) "Cattle at the Water's Edge" Oil On Canvas
$3,295
£2,510.29
€2,894.46
CA$4,611.29
A$5,152.34
CHF 2,695.25
MX$63,184.25
NOK 34,440.14
SEK 32,658.38
DKK 21,602.91
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About the Item
"Cattle at the Water's Edge" Oil on Canvas with Board Backing
William Hart (American, 1823–1894)
20.25" w x 18.25" h (Frame), 10.5" w x 8.375" h (canvas)
This exquisite oil painting by William Hart (1823–1894), a renowned American landscape artist of the Hudson River School, masterfully captures a tranquil pastoral scene. The work, set within a richly gilded and intricately carved frame, exemplifies Hart’s signature luminous landscapes and delicate handling of natural light.
The composition features a serene woodland setting where cattle gather at the water’s edge, drinking from a reflective pool. The two foreground cows, rendered in warm brown and white hues, stand partially submerged, their reflections shimmering in the still water. A winding path leads the eye deeper into the composition, where dappled sunlight filters through a canopy of verdant foliage, illuminating the scene with a soft, atmospheric glow. Hart’s ability to depict moisture-laden air and diffused light lends the painting a sense of poetic realism, inviting the viewer into the pastoral harmony of the American countryside.
Hart's delicate brushwork and attention to textural detail, especially in the intricate rendering of tree bark, soft grasses, and the cows' fur, demonstrate his deep admiration for nature. His compositions often reflect the influence of the Dutch landscape tradition, combined with the luminous, romantic aesthetic characteristic of the Hudson River School. The balance between light and shadow, as well as the subtle gradation of color in the distant misty sky, enhances the painting’s sense of depth and atmosphere.
Encasing the painting is a magnificently ornate, deeply carved giltwood frame, whose elaborate floral and foliate motifs complement the idyllic grandeur of the scene. The contrast between the painting’s natural simplicity and the lavish embellishment of the frame speaks to the 19th-century appreciation for blending fine art with opulent craftsmanship.
As a distinguished example of William Hart’s pastoral oeuvre, this painting stands as a testament to the beauty of the American landscape, evoking both nostalgia and reverence for the unspoiled tranquility of the rural world. It remains a museum-quality masterpiece, embodying the spirit of 19th-century American landscape painting and securing its place within the legacy of the Hudson River School.
- Creator:William Hart (Artist)
- Dimensions:Height: 18.25 in (46.36 cm)Width: 20.25 in (51.44 cm)Depth: 2 in (5.08 cm)
- Style:Barbizon School (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:19th Century
- Condition:Wear consistent with age and use. Minor losses. Painting shows in antique condition, previously cleaned but does have darkening to surface - Heavy Craquelure with loss showcased to upper left. Frame with small areas of gilt loss.
- Seller Location:Atlanta, GA
- Reference Number:1stDibs: LU7838243668522
William Hart
Born in Scotland, William Hart emigrated with his family to New York on the ship Camillus in 1830. He became known for serene, bucolic and romantic landscapes. Many of his paintings had cattle and realistic figures diminished in the landscape, a motif he began in the late 1880s. Hart was a second generation "Hudson River School" painter. George Inness and Asher Durand were major influences, although he was basically self-taught.
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