William Louis Sonntag Painting, October in NH, Near the Foot of Mt. Washington

A wonderful pair of Continental Baroque style carved giltwood panels depicting two different saints, unsigned, each with foliate crests and scrollwork carved giltwood frames, dating ...

Excellent advertising poster for Manchester, New Hampshire shoe store W.P. Farmer, circa 1880. Printed by Johns & Co. Litho, Cleveland. A great and unusual...

A fine pair of Victorian wooden doors from a horse-drawn hearse or funeral carriage with rectangle glass transoms at the top of each, featuring relief drapery carvings on each in old...

This set of eight European fire-related wood engravings were drawn by G. Freeman and engraved by Dutch engraver Jan Kip from Richard Blome's Commentary on the Bible, 1695. They are titled as follows, starting upper left: 1) Manner of Burning the Martyrs in Smithfield; 2) The Siege of Jerusalem...

A pair of heavy wooden polychrome doors, depicting genre scenes of a man and woman on each panel, surrounded by foliate decoration, with ebonized backs, and five supports slats on ea...

A fine example of a New Hampshire Queen Anne two part highboy in curly maple attributed to the Dunlap Workshop, circa 1760-1780, its upper case featuring a hand carved cornice...

A luminous Autumn oil on canvas board landscape, probably of the hills in the Hudson River Valley, by the noted American artist William Louis Sonntag (1822-1900). Signed in the lowe...

Signed lower right. Painted from a photograph by the mountaineer- part of the Mt. Loki ridge with rough rust tone peaks, partially covered with snow. The sun illuminates them from t...

A signed late 1970s/early 1980s large abstract impressionist cityscape oil painting on board titled “Near the Zócalo”, by American artist Margaret Smith. The Zócalo is the common na...

A fine painting depicting Les Grandes Baigneuses in the manner of Paul Cezanne's famous works of art. This beautiful painting was executed by an artist from Toulon named Marius Fe...

Sumptuous, very large, original oil on canvas board, still life painting depicting a banquet table. This painting is a virtuoso display of how artist William Frederick Foster (1883-1953) captures texture in paint. You can see this in the mouth watering fruit, crustacea and other samplings laid upon the table as well as the masterfully painted reflective surfaces of the copper tea pot, wine bottle and the gathered table cloth. Painting is framed in the original wood frame. Painting framed measures 34.5” high x 46” wide x 1.5” deep. Painting unframed measures 30.5” high x 42.5” wide. William Foster was born in Cincinnati, Ohio, in 1883. He became a noted figure painter and illustrator, living the last twenty-one years of his career in Los Angeles, California. At age 12, he moved with his family to Colorado, but in 1898, he returned to Cincinnati and enrolled at the Art Academy where he studied with Joseph Henry Sharp and Frank Duveneck. His early ambition was to be a violinist, but he was re-focused on fine art when he saw a painting by Albert Ceck Wenzell. In 1902, he went to New York City where he painted scenery for theaters, auditoriums, and large department stores. He also studied at the New York School with Robert Henri and William Merritt Chase, and from 1903 to 1931, he worked as an illustrator and with a brief teaching stint in 1919 at the Art Institute of Chicago. In 1903, he sold his first illustration, a depiction of high society, to Life magazine, and the style was very similar to Wenzell. From that time, he worked for most of the major magazines including Collier's, The Saturday Evening Post and Harper's Monthly. In 1926, he won the National Academy of Design's Thomas B. Clarke Prize for the best figure composition painted in the United States by a non-academician. The following year, he was voted an Associate Member based on his recognition for a figure work titled The Girl in Brown. During World War I, he operated his own ambulance in France as a member of the American Volunteer Motor Ambulance Corps and also received mention as a camoufleur artist. Returning to the U.S., he resumed his illustration work and moved to Chicago, where he taught at the Art Institute. Foster moved to Los Angeles in 1932 and devoted his energy to painting, exhibiting and teaching. He taught at the Chouinard School of Art in Los Angeles and gave private classes in his studio. He also worked on a mural project at the Hearst estate...

Original oil painting on canvas, Tonal-style landscape painting by listed, deceased, famous artist, William Keith (1838-1911). Painting features a group of majestic trees near a pond of water at deep dusk or early dawn. A lone shepherd, seated beneath a tree, watches over his herd of sheep as they make their way down to the water. The tone is relaxed and misty, with softly blurred details and an air of hazy tranquility. William Keith was a Scottish-American painter famous for his plein air California landscapes, characterized by how the landscapes captured feelings and emotions, rather than actual details. He was neither pure Realist nor pure Impressionist. During the 1870s, Keith painted a number of six-by ten-foot panoramas, including "Kings River Canyon" (Oakland Museum, originally owned by Governor Leland Stanford) and "California Alps" (Mission Inn, Riverside). These competed with paintings of similar size and subject matter by famous California landscape painters Albert Bierstadt and Thomas Hill. Keith is associated with Tonalism and the American Barbizon school of painting...