Photography

"Photograph of a Grecian bust" is a cyanotype print by John Dugdale, edition 2/6. The print is 16" x 20" matted and framed to 24" x 27.5".

Artist: Greg Gorman (American, b. 1949) Title: Rex and Gregory, 1988 Gelatin silver print Image size: 18.75 x 14.75 inches Paper size: 19.75 x 15.875 inches Frame size: 24.8 x 1...

Christo / The Pont Neuf Wrapped / Project for Paris, 1984 / Collage En Deux Partes Offset lithograph in colors on woven paper, published by Nouvelles Ima...

WALLACE NUTTING (1861-1941) - Pair of fine antique hand colored black and white New England landscape photographs - each mounted with sepia borders to backboards - near matching gilt...

- Czechoslovakia, 1950 - Museum of decorative Arts in Czech republic - suitable for framing - photographed by Illek and Paul jr

Artist: Greg Gorman (American, b. 1949), Title: With Her Hand on the Wall Year: 1988 Medium: Gelatin Silver print. Artist stamp verso Image size: 10.5"h x 8"w, overall (with ma...

Print from "Le Monde des Echecs" Serie No. 1. by Edition L'Echiquier, 1933. V. Halberstadt and M. Duchamp photomontage by Man Ray. Portfolio of famous chess players and chess book...

Julius Shulman. Untitled, 2006 C-print. Measures: 19 ¾ in. x 16 in. Signed by Julius Shulman & Juergen Nogai on verso. Edition: 50 (not individually numbered). Unframed.

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

Vik Muniz The Glass House, after Robin Hill Digital C print Measures: 20 in. x 29.6 in. Accompanied by a complete signature label Edition of 25 U...

"The Vanishing Race" is perhaps the most iconic and sought-after photographic print by renowned American artist Edward S. Curtis who was famed for h...

Donovan Davis’s is a Canadian based artist currently residing in Toronto. He has over two decades dedicated to deconstructing and reconstructing photo based images. His photo collag...