Bamboo Photography

James Welling Lilac Mist, 2017 Epson 9900 print on Museo silver rag paper Image size: 15.5 x 23.25 inches, Sheet size: 18.5 x 24 inches Edition 20, 5 AP's Signed, titled, and da...

Julius Shulman. Untitled, 2006 C-print. Measures: 19 ¾ in. x 16 in. Signed by Julius Shulman & Juergen Nogai on verso. Edition: 50 (not individually numbered). Unframed.

WALLACE NUTTING (1861-1941) - Pair of fine antique hand colored black and white New England landscape photographs - each mounted with sepia borders to backboards - near matching gilt...

- Czechoslovakia, 1950 - Museum of decorative Arts in Czech republic - suitable for framing - photographed by Illek and Paul jr

Francesco Scavullo black & white photograph Jay & Jed Johnson, mounted on board. From Scavullo Studio. 1968-9. 18.25 x 12.25 inches. Minnesota twins, Jay and Jed Johnson moved to N...

This phenomenal wall-mounted mid-century-modern sculpture is titled "Flight" and was created by internationally recognized textile artist Barbara Barron...

Artist certificate included. Dimensions framed. In the spring of 1981, Levin was on assignment for the German magazine, Stern, to capture a moment in time in Warhol’s life, traili...

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

Artist certificate included. Dimensions framed. In the spring of 1981, Levin was on assignment for the German magazine, Stern, to capture a moment in time in Warhol’s life - trail...

Artist certificate included. Dimensions framed. In the spring of 1981, Levin was on assignment for the German magazine, Stern, to capture a moment in time in Warhol’s life – trail...

Donovan Davis’s is a Canadian based artist currently residing in Toronto. He has over two decades dedicated to deconstructing and reconstructing photo based images. His photo collag...

Artisanal products are, most of the time, developed with the use of cultural elements and the history of communities or peoples. To illustrate the idea, the designer from Paraíba,...