Robert Flynt 'Untitled' Homoerotic Composition, Signed, Dated Chromogenic Print

A vintage chromogenic (C-type) photographic print by American photographer Ralph Gibson (1939-) Untitled, the photograph depicts a wooden easel against a background of a pink wall. P...

A framed C-Print by American photographer Sandy Skoglund (b. 1946) Maybe Babies. Chromogenic print, signed and inscribed Maybe Babies, Sandy Skoglun...

Stairs (from the highly regarded 'High Fashion Crime Scenes' series), 2004, by Melanie Pullen (born 1975) is a chromogenic print; framed, and of an edition of 5. With "Stairs", Pul...

Rita Ackermann, 1996 by Michael Lavine Michael Lavine is a postwar & contemporary Artist that grew up in Denver and resides in New York.

A vintage gelatin silver photographic print by American photographer Ralph Gibson (1939-) Untitled, the photograph depicts an antique stone female statue from the back showing the to...

Original large oak framed portrait photograph of an older French gentleman, French, signed & dated 1912. Original oak frame. Size framed : 63cm x 52cm. Showing some signs of age an...

Original fashion photograph by photographer Robert Jean Chapuis, Paris, signed, representing a girl in a yellow sweater, circa 1970s. Measures: Withou...

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

Robert Stivers, known for his dreamlike, soft-focus black and white photography, has done a striking portrait of "Elizabeth". His work features blurred, ethereal figures and abstract...

Jefferson Hayman is an artist whose work explores the themes of nostalgia, common symbols, and memory. Each photograph is handcrafted as a silver gelatin, platinum or pigment print, ...