Alphonse Mucha Flirt Biscuits Lefevre Utile Poster

A tall circa 1900 or earlier glazed redware ox blood Majolica jardinière and pedestal representing a winged Putti cherub with Art Nouv...

A acid etched cameo art nouveau pink landscape vase tastefully mounted as a multi luminescent lamp. Enjoy a exquisite Daum Nancy art nouveau cameo vase...

Emile Galle scenic wheel carved and acid etched cameo vase. A beautiful and tall cameo vase by Galle. The 18 - 1/2” tall vase has a background of muted yellow glass near the base, which progresses to blue/gray at mid-vase, and then peach towards the top. Brown, cameo cut trees are generously displayed across the body of the vase, with the addition of a boat in the lake. Signed "Galle". Dimensions: 18 - 1/2” x 10” x 8”. Condition: Very good Émile Gallé (8 May 1846 in Nancy – 23 September 1904 in Nancy) was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France. Gallé born on 4 March 1846 in the city of Nancy, France. His father, Charles Gallé, was a merchant of glassware and ceramics who had settled in Nancy in 1844, and his father-in-law owned a factory in Nancy which manufactured mirrors. His father took over the direction of his mother's family business, and began to manufacture glassware with a floral design. He also took over a struggling faience factory and began manufacturing new products. The young Gallé studied philosophy and natural science at the Lycée Imperial in Nancy. At the age of sixteen he went to work for the family business as an assistant to his father, making floral designs and emblems for both faience and glass. In his spare time he became an accomplished botanist, studying with D.A. Godron, the director of the Botanical Gardens of Nancy and author of the leading textbooks on French flora. He collected plants from the region and from as far away as Italy and Switzerland. He also took courses in painting and drawing, and made numerous drawings of plants, flowers, animals and insects, which became subjects of decoration. At the age of sixteen he finished the Lycée in Nancy and went to Weimar in Germany from 1862–1866 to continue his studies in philosophy, botany, sculpture and drawing. In 1866, to prepare himself to inherit the family business, he went to work as an apprentice at the glass factory of Burgun and Schwerer in Meisenthal, and made a serious study of the chemistry of glass production. Some of his early glass and faience works for the family factory at Saint-Clémont were displayed at the 1867 Paris Universal Exposition. In early 1870 he designed a complete set of dishware with a rustic animal designs for the family enterprise. During this time he became acquainted with the painter, sculptor and engraver Victor Prouvé, an artist of the romantic "troubadour" style, who became his future collaborator in the Nancy School. He enlisted for military service in the Franco-Prussian War in 1870, then was demobilised after the disastrous French defeat in 1871 and the French loss to Germany of much of the province of Lorraine, including Meisenthal where he had done his apprenticeship. Thereafter the Cross of Lorraine, the patriotic symbol of the region, became part of his signature on many of his works of art. After his demobilization Gallé went to London, where he represented his father at an exhibition of the arts of France, then to Paris, where he remained for several months, visiting the Louvre and Cluny Museum, studying examples of ancient Egyptian art, Roman glassware and ceramics, and especially early Islamic enamelled...

GEORGES DE FEURE (1868-1943), Five Piece Salon Suite circa 1900 Walnut and parcel-gilt, comprising a settee, two armchairs and two side chairs. It is rare to find a full set of...

A LOUIS MAJORELLE CARVED MAHOGANY AND MARQUETRY TWO TIER TABLE. CIRCA 1900 Inlaid in various woods with stylised vines, leaves and branches, the top with inlaid inscription, bronze ...

Daum Nancy Art Nouveau Applied Handle footed Vase. A very rare donut shaped vase with beautiful applied handles. From reds to pinks to creams to green. Height: 5 Inches Width: 3.75 ...

Alphonse Mucha 1898 JOB poster. Excellent condition with beautiful frame under plexiglass ready to hang. Poster for 'Job' cigarette paper (1898) 'JOB' is a ...

A pair of French "Byzantine Heads" lithographs by Alphonse Mucha. The mastery evident in creating two archetypes of the female form against a decorative...

A pair of rare art nouveau advertising panels in the style of Alphonse Mucha. Each panel with a centre illustration of a woman portrayed in Mucha's classic style. Mucha's female im...

Original Art Nouveau Vintage Poster dating from 1898 by Alphonse Mucha. Artist: Alphonse Mucha (1860-1939) Title: Waverley Cycles Date: 1898 Size (w x h): 33.9 x 42.9 in / 86 x 109 cm Printer: F. Champenois, 66 Bd St Michel, Paris. Materials and Techniques: Colour lithograph on paper Linen backing: Yes Condition: A (Designates a poster in very good condition. The colours are fresh and there are no or very few paper losses. If there are imperfections they are marginal and imperceptible). Additional Details: « Harry Reynaud, Directeur Général pour la France...

Original Art Nouveau Vintage Poster dating from 1896 by Alphonse Mucha. Poster for the 20th edition of the Salon des Cent in March-April 1...

Original Art Nouveau Vintage Poster dating from 1896 by Alphonse Mucha for Job, Cigarette paper. Artist: Alphonse Mucha (1860-1939) Tit...