Toulouse-Lautrec, "Ambassadeurs - Aristide Bruant" - Das Moderne Plakat

Loetz Rubin Matte Iris - 1898 (aka: rubin metall) Registered Model: PM I-7875 Ruby ground; metallic-bronze iridescent finish (iris) with purple highlights. Measures: Height 7.75 inches Width 4.25 inches Condition: Excellent AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The Historicist Period The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period – the Glory Years Loetz Paris-Expo1900Loetz Paris-Expo1900The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...

Daum Nancy Wheel Carved And Acid Etched Cameo Scenic Lamp. Daum Nancy French cameo lamp of a mushroom shade with a lake scene of boats set on a cameo base with thistles, shade signe...

Fine Daum Partial Gilt, Enameled and Acid-Etched Glass “Au Gui L'an Neuf” Bowl with Silver Mount, circa 1895. Art Nouveau Vase Parlant. Marks: Daum, (Cross of Lorraine), Nancy Heig...

AGATHON LÉONARD (FRENCH, 1841-1923) Danseuse au Cothurne Signed 'A Léonard' (on reverse) with Susse Frères foundry cachet, further stamped 'M' Gilt Bronze, light brown patina 21 i...

A monumental ceramic vase with iridescent glaze in an elongated bulbous shape by the legendary French ceramist Pierre Clement Massier (1845-1917). Massier is widely considered as...

This Loetz vase in the Cobalt Papillon pattern has blue iridescent Papillon design covering the exterior of the vase. Vase is signed on the polished ...

Lithograph from 1906, given as a free supplement to "Chansonniers de Montmartre", featuring Henri de Toulouse-Lautrec's poster for a performance of Aristide Bruant at Les Ambassadeurs in 1892. Artist: Henri de Toulouse-Lautrec Title: Ambassadeur – Aristide Bruant dans son cabaret...

Henri de Toulouse-Lautrec was a French illustrator, painter and printmaker, whose subject matter detailed the bohemian lifestyle of Paris during the late 1800’s. 'Ambassadeurs: Aristide Bruant...

A rare and well-sought variant of the celebrated poster "L'Artisan Moderne," by Henri de Toulouse-Lautrec, this special lithograph includes a seldom seen addition of the text reading...

Original Vintage Poster-Bas funds of Paris-Aristide Bruant-Lautrec, 1895 AToulouse-Lautrec inspired poster for the release of the book "Les bas-Fonds de Paris" by Aristide Bruant. F...

Vintage lithographic reproduction poster of "Cadieux" by Henri de Toulouse Lautrec, published in 1968 by The Sunday Times (London). This limited-edition poster is numbered 600/200...

Aptly titled "Jane Avril," celebrated lithograph artist Henri de Toulouse-Lautrec captures here, in static form, the very particular brand of motion Avril f...