Yellow Submarine Film Poster

Original American photographic production still from The Beatles 1968 music animation film. The film was directed by George Dunning. This animated musical fantasy was inspired by the...

Original American photographic production still from The Beatles 1968 music animation film. The film was directed by George Dunning. This animated musical fantasy was inspired by the...

Original US film poster for the 1965 Exploitation film. This Russ Meyer film was released just before Meyer's more popular film, Faster, Pussycat! Kill! K...

Original US film poster for the 1930 Exploitation film. Very few posters exist on this film from 1930. Ingagi is an exploitation film, although when rel...

Considered the quintessential and definitive Bond film, the third instalment in EON Productions' James Bond series set the template for many of the subsequent films, with its tongue in cheek humour, extensive use of gadgets and technology and multiple foreign locations. The first Bond blockbuster, 1964s 'Goldfinger' was also the first Bond film to utilise a standalone pre-credits sequence, the first to employ a pop star to sing the theme song and the first to win an Academy Award. The plot saw 007 uncover a plot to contaminate the United States gold reserve at Fort Knox while investigating the smuggling activities of powerful gold magnate Auric Goldfinger. This stunning poster designed by prolific Swedish...

Considered the quintessential and definitive Bond film, the third instalment in EON Productions' James Bond series set the template for many of the subsequent films, with its tongue ...

Although Western films were shown during the Soviet era in the Communist Bloc, American publicity materials were banned, allowing the state-commissioned artists to operate with total...

In an early commercial commission, renowned British Pop Artist Allen Jones was asked to design the publicity poster for the 1976 US release of Barbet Schroeder’s 1973 fetish romance 'Maîtresse,' starring a young Gerard Depardieu as the small time crook who stumbles into the double-life of a dominatrix, played by Bulle Ogier. Werner Gallery, who exhibited Jones' original artwork in 2016, stated that 'despite his inability to Identify with its explicit sadomasochistic themes, Jones accepted the poster commission based on his fondness for the powerfully stylized heroine of the film.' Jones' original design, with the high-heeled, leather-clad brunette with bull whip in hand, proved too risqué for the distributor, so the figure was reworked into a blonde beauty gripping a pair of keys instead of the more provocative whip. In 2008, Jones revisited his original design and began developing it into a series of dominatrix paintings...