1835 Hand-Colored Lithograph: The Crusaders’ Departure for the Holy Land

Antique print titled 'Das Kloster'. Lithograph, on chine collé, depicting travellers halting at a convent. Published after a painting by P. Wouwerman.

The Mock Procession of Guy Fawkes: A Hand-Colored Aquatint by William Henry Pyne This captivating aquatint by William Henry Pyne, published by William Miller, offers a vivid portrayal of a street scene that can be aptly related to the historical celebration of Bonfire Night, also known as Guy Fawkes Night. The annual event on the 5th of November commemorates the foiled Gunpowder Plot of 1605, in which Guy Fawkes and his co-conspirators attempted to blow up the House of Lords in London. In the print, we witness a chaotic yet lively scene filled with exuberant characters, mirroring the festive atmosphere of Bonfire Night. Central to the image is a mock procession, likely depicting a satirical reenactment of Guy Fawkes' capture and punishment, a common feature of the celebrations. Key Elements of the Scene: - Foreground Characters: The illustration brims with energy as a group of ragtag children and adults partake in the festivities. Some children wave hats and sticks, while others shout and cheer, embodying the spirited cries of "Holler boys, holler boys, let the bells ring" from the famous rhyme. - Central Figure: A man dressed in tattered clothes, resembling Guy Fawkes, is carried on a makeshift chair by two other men. His weary expression hints at the gravity of his intended treason, now mocked by the jubilant crowd. - Background Activity: The background showcases additional figures, including a man carrying a large basket and another with a barrel, possibly filled with "three score barrels of powder" as mentioned in the rhyme. Rising smoke suggests bonfires burning in the distance, a hallmark of the night's celebrations. - Right Side of the Scene: To the right, a seated woman cooks over a small pot, while another woman with a basket watches...

Original antique print of the tombs of the Kings of Judah. This print originates from 'Costume Antico e Moderno: Palestine, China, India, Oceania' by Ferrario. Published 1831.

Original antique print of Arab noblemen. This print originates from 'Costume Antico e Moderno: Palestine, China, India, Oceania' by Ferrario. Published 1831.

English etching artist proof. The bottom reads as follows: Printed by Henry Fradelle and engraved by Thomas Lupton. Rebecca and Ivanhoe AS THE WOUNDED KNIGHT WAS ABOUT TO ADDRESS THIS FAIR APPARITION SHE IMPOSED SILENCE BY PLACING HER SLENDER FINGER UPON HER RUBY LIPS...

Great image after Sebastien Bourdon Fine steel engraving Published circa 1850 Unframed. Free shipping

"Armiger et Ephebus Indi" — Hand-Coloured Engraving from the Grand Carrousel of 1662 An exceptional hand-coloured copperplate engraving from the celebrated Grand Carrousel held at t...

These are exceptionally RARE color engraved prints done after originals by artist Henry William Bunbury (1750-1811) and engraved by Francesco Bartol...