Antique Print of Trout Anglers by Pittman '1820'

Antique print titled 'By Hook and by Crook'. Original antique print of fishermen. Engraved by Backwith. Published by Rogerson, 1844.

Antique print titled 'Juvenile Anglers'. Original antique print of young anglers. Engraved by Smith. Published by Pittman, 1822.

Antique print titled 'The Landing Place'. Original antique print of fishermen. Engraved by E. Hacker. Published by Rogerson, 1863.

Antique print titled 'Trolling'. Original antique print of trolling, a method of fishing where one or more fishing lines, baited with lures or bait fish,...

Beautiful reproduction of a typical English landscape depicting men fishing. The original was made by Geroge Earl, a famous English painter and illustrator. Bottom right is the author's signature 'Geo Earl'. All the prints are completely hand-coloured by our skilled craftsmen in Florence, Italy. Printed manually on 100% cotton engraving paper in Florence Italy. Each print is entirely painted by hand with water colors and tempera. It is a furnishing accessory that enhances the environment and adapts to many decorative styles. George Earl (1824–1908) was a painter, primarily of sporting dogs and other animals. He was also the father of Maud Earl and Percy Earl...

This beautiful 19th century framed engraving "Line Fishing Off Hastings" by William Miller is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a scene of fishermen at work off the coast of the town of Hastings in East Sussex, England. The Miller engraving faithfully reproduces Turner's painting, capturing the same atmospheric quality and sense of motion. In the foreground of the image, a group of fishermen are shown in a small boat, with one man using a fishing line to catch fish. In the background, there is a larger ship, along with a view of the town of Hastings and the cliffs beyond. Overall, the Miller engraving "Line Fishing Off Hastings" is a beautiful and detailed representation of Turner's original painting, and provides a glimpse into life in a 19th century fishing community. This colorful 19th century engraving is presented in a gold-colored wood frame and a cream-colored French mat highlighted with a light blue band and thinner mustard and gold-colored bands. There is a gold-colored fillet which further embellishes the engraving. The frame measures 18" high, 20.5" wide and 1" deep. The engraving, frame and mat are in excellent condition. Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today. William Miller (1796-1882) was an English engraver and publisher, best known for his work in reproducing the paintings of J.M.W. Turner. Miller was born in Bristol and began his career as an engraver at a young age, working for a variety of publications and artists. In the early 1820s, Miller began working with Turner, engraving many of the artist's most famous works, including "The Fighting Temeraire...

This magnificent engraving depicts a fishing scene in the middle of a landscape with lush vegetation. In the foreground of this scene is a man standing fishing. At his feet a young woman and a child are looking at the water. Further back on the right, there is another fishing scene, this time with two men. The whole is immersed in nature. In the background is a shepherd with a herd of cattle. This scene was first painted by Francesco Zuccarelli. He was an 18th century painter and engraver. He began his training in Rome and then in Florence as a figure painter. Alter He moved to Venice. He was noticed for his talent in the art of landscape. He benefited from the protection of the English consul Joseph Smith, for whom he produced numerous works. This engraving is made by Francesco Bartolozzi who is an engraver of the end of the 18th century and the beginning of the 19th century. He is an Italian who had 3 years of training in painting. But he finally devoted himself to engraving. He moved to Venice. He worked in the workshop of Joseph Wagner...

A magical image of a bygone era; "Villa on the Hudson, near Weehawken" engraved by J.C.Bentley after a picture by W.H.Bartlett, published in American Scenery, about 1840. Steel engra...