Audrey Flack, Banana Sundae, 1980 Photorealist Screenprint

"Two 1992 chromogenic (c-prints) from Robert Flack’s series “Love Mind,” edition #1/3, feature ""fire circle"" and ""sword circles"". Robert Flack (1957-1993) was born in Guelph, Ontario and moved to Toronto to study at York University. After graduating in 1980 he began working at Art Metropole and as a layout artist on many General Idea-related projects including FILE Megazine. During the 80's he exhibited extensively in Canada at numerous artist-run centres and public galleries, the Cold City Gallery artist collective and the S.L. Simpson Gallery (a complete exhibition history is available on our web site). By 1990 he was exhibiting internationally, in Paris, Barcelona and Amsterdam, and was represented in New York at Feature Inc. and in Toronto at Garnet Press. His work was included in the touring group exhibition Corpus Part II curated by Bruce Grenville in 1993 for the Mendel Art Gallery in Saskatoon. A survey exhibition was curated by Nancy Campbell at the MacDonald Stewart Art Centre, with catalogue, in 1993. In 1997 Philip Monk included Flack's work in Rococco Tattoo: The Ornamental Impulse in Toronto Art at the Power Plant in 1997. In 1999 the National Gallery of Canada celebrated Flack's work to commemorate A Day Without Art, December 1999 - January 2000. ""From the beginning, Flack's work expressed an ""otherworldliness"" - a quality that focused sharply with his HIV sero-conversion in 1988. From that point forward, Flack's vision rocketed almost exclusively into the internalized realms of psychic energy, the chakras and the etheric body."" Andrew Zealley, Art Metropole, Halos: David Buchan and Robert Flack 2005. Amongst the work's many distinctions is Flack's use of pre-digital or analogue production techniques. Flack painted in enamel on clear acetate and overlaid his photographs with these painted layers before re-photographing the work, producing an ""iconic, sensual mapping of the body and dazzling use of colour and pattern"" (NGC web site). During this period he was sharing studio space in Toronto with Stephen Andrews...

A screenprint in colors on Lenox Museum Board, titled “Gertrude Stein” by Andy Warhol. Hand signed in pencil on the bottom right with an annotation of 168/200. Blindstamp bottom left corner. Published by Rupert Jasen Smith and co-published by Ronald Feldman Fine Arts, Inc., New York, and Jonathan A. Editions, Tel Aviv. In 1979. From Ten Portraits of Jews of the Twentieth Century. Warhol began working on the series which was suggested to him by art dealer Ronald Feldman. The subjects included in this series are George Gershwin, Sarah Bernhardt, Louis Brandeis...

Esteban Vicente color screenprint signed in pencil. Framed size listed is unframed.

Screenprint on linen with biomorphic animal motifs by Chicago-based painter, weaver, and fabric designer Angelo Testa. Literally the first student to graduate from Moholy-Nagy’s New ...

Fabulous Early Screen Print by Nicholas Krushenick (1929-1999) circa 1965. This was part of an art collection that came from the Frank Lloyd Wright House...

Jean-Michel Basquiat, signed and numbered. Abstract screen print in orange and pink tones, in its blond oak frame. American work realized in the 1990s. Numbered 38/100. Dimension...