Bernard Cathelin 1980 Lithograph Annotated to his dealer David Findlay

Very abstract signed and numbered (21/150) Gabriel Godard lithograph of woods.

Two Mourlot printed Lithographs, Rene Genis and Guy Bardone. Each paper size: 18.50" x 24.75", plate size: 16" x 22". Shipped rolled in a 6" 'sono' tube.

A framed (in a 'Kulicke style' welded aluminum), glazed in plexi, matted Aquatint. Numbered 17/100 and signed in pencil. Plate size: 15 1/4" x 20 3/8". Framed: 22" x 28".

Original Vaclav Vytlacil lithograph, printed offset, signed in the plate. Published 1937, as part of portfolio (approximate edition of 500) by The Squibb Gallery NYC, for the first exhibition of the AAA: American Abstract Artists...

Vintage limited edition lithograph by Robert Weil, circa late 1970s. The piece is in good vintage condition and measures 30"W x 23.5"H; it is presented in a thin chrome metal frame w...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also an artistically talented woman, took her son and struggled her way to West Berlin...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also a...

Colour etching “Prova d’autore” signed localised and dated ‘Raphael Roma “70”. It depicts in his unmistakable style a couple pictured in an intimate but discreet pose. Antonietta Raphaël, the wife of Mario Mafai and co-founder of the Roman School, is here at the highest level of her artistic expression. This artwork, never before on the market, comes from an important private collection and is beautified by an impressive original frame in silvered wood, in almost perfect condition. Dimensions are frame included The painting is also protected by glass Antonietta Raphaël (1895 – 5 September 1975) was an Italian sculptor and painter of Jewish heritage and Lithuanian birth, who founded the Scuola Romana (Roman School) movement together with her husband Mario Mafai. She was an artist characterised by a profound anti-academic conviction, also affirmed by her sculptures which, especially after World War II, dominated her output. They highlighted the tender and vibrant carnality present in stone, with works such as Miriam dormiente (Sleeping Miriam) and Nemesis. A rabbi's daughter, Raphael moved to London with her mother after her father's death. There she attended the British Museum, and came to know Jacob Epstein and Ossip Zadkine, the renowned French sculptor of Russian origin and member of the Expressionist movement. However, Antonietta in those days concentrated on studying music, and eventually graduated in piano at the Royal Academy of Music and teaching solfeggio in the East End. At her mother's death in 1919, she moved to Paris and in 1924 to Rome. In 1925 Antonietta attended the Accademia di Belle Arti, befriended artist Mario Mafai and went to live with him, in a long-lasting relationship. They had three daughters: Miriam (1926), a journalist, partner of Communist politician Giancarlo Pajetta; Simona (1928) member of the Italian Senate and author; and Giulia (1930), a scenographer and costume designer. In 1927, Raphael and Mafai moved to an apartment in via Cavour...