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Botanical Illustrations from the Victorian Era: A Visual Celebration of Flora
About the Item
These are vibrant chromolithographs from "Favourite Flowers of Garden and Greenhouse" by Edward Step, illustrated by Désiré Bois and published in 1896 by Frederick Warne & Co., London.
Each plate vividly captures the unique characteristics of various plant species, showcasing Bois's attention to botanical detail and color. Here's a description of each print and their English names:
1. **Clivia Miniata** - Commonly known as "Clivia" or "Kaffir Lily," this print highlights the bright orange-red flowers with a striking yellow throat, set against dark green, strap-like leaves.
2. **Paeonia Tenuifolia** - Known as the "Narrow-Leaved Peony," this illustration features the distinctively fine, almost needle-like leaves with a large, central red flower showcasing prominent yellow stamens.
3. **Phyllocactus Phyllanthoides** - Often called "Leaf-Stemmed Cactus," it displays vibrant red flowers emerging from the flattened green leaf-like stems typical of the phyllocactus.
4. **Anemone Hortensis var. Fulgens** - Termed "Flame Anemone," this chromolithograph depicts the fiery red flowers, each detailed with a black central disc, surrounded by thin, dissected leaves.
5. **Anthurium Scherzerianum** - Also known as "Flamingo Flower," renowned for its waxy, bright red spathes with a curled orange spadix, supported by a lush arrangement of green leaves.
6. **Gladiolus Gandavensis** - Referred to as "Ghent Corn-Flag," this print showcases tall stalks bearing multiple bright red to pink flowers with white and deeper red markings, a popular choice in ornamental horticulture.
These chromolithographs demonstrate the elaborate and precise nature of botanical illustration during the Victorian era, which aimed not only to educate but to delight with aesthetic beauty. Each image serves as a historical record of plant varieties popular in gardens during the late 19th century.
About the maker:
Louis van Houtte was a prominent Belgian horticulturist and botanist renowned for his significant contributions to botanical illustration during the 19th century. Born in 1810, van Houtte is best known for his work as the proprietor of one of the largest and most successful horticultural establishments in Europe, located in Ghent, Belgium. His nursery specialized in exotic plants, and he employed numerous skilled gardeners and botanists.
Van Houtte's most famous legacy is perhaps the "Flore des Serres et des Jardins de l'Europe," a monumental work published between 1845 and 1883. This publication was an extensive series of horticultural and botanical books that illustrated thousands of plant species, many of which were new to science and European gardens at the time. The work combined scientific accuracy with artistic beauty, showcasing the talents of several gifted artists and lithographers.
The illustrations in "Flore des Serres" were primarily lithographs, a method that allowed for detailed and vibrant color reproductions, which were essential for the study and popularization of plant species. These prints not only served as a catalog of exotic plants available for purchase from his nursery but also as an educational tool and a source of inspiration for gardeners and botanists across Europe.
Van Houtte's contributions to botanical art and horticulture were driven by a passion for plants and an entrepreneurial spirit that recognized the growing public interest in botany. His work helped disseminate botanical knowledge and influenced European garden design in the Victorian era.
The creator of these prints, often a collaboration between botanists and skilled artists, aimed to capture the intricate details of each plant for purposes of study and record-keeping. The style of these prints suggests they could have been made by European illustrators and botanists, possibly as part of a larger botanical survey or for inclusion in a comprehensive botanical text. The high level of detail and the vivid coloring techniques are indicative of the lithographic processes that were popular in botanical illustration during the 19th century, used to ensure that both the scientific community and horticultural enthusiasts could share knowledge and appreciation of plant species from around the world.
- Dimensions:Height: 9.85 in (25 cm)Width: 6.42 in (16.3 cm)Depth: 0 in (0.02 mm)
- Sold As:Set of 6
- Materials and Techniques:
- Period:
- Date of Manufacture:Circa 1875
- Condition:Condition: Good, given age. General age-related toning and/or occasional minor defects from handling. Colors are vivid. Please study scan carefully.
- Seller Location:Langweer, NL
- Reference Number:Seller: BG-13761-44, BG-13761-45, etc1stDibs: LU3054341445922
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Located in Langweer, NL
These beautiful hand-colored botanical illustrations, drawn and lithographed by the renowned artist Walter Hood Fitch, were featured in Sir William Jackson Hooker's *"Curtis's Botanical Magazine,"* published in London in 1847. Fitch was one of the most prolific and skilled botanical illustrators of the 19th century, known for his ability to capture the intricate details and vibrant hues of the plants he depicted.
Sir William Jackson Hooker, a famous British botanist and the director of the Royal Botanic Gardens, Kew, commissioned these illustrations as part of his work to document newly discovered plants from around the world. The *Curtis’s Botanical Magazine* has been published since 1787 and remains one of the longest-running botanical periodicals.
Detailed Descriptions of Each Plant
#### 1. **Dipladenia Rosa-campestris** (*Hortul. ex Veitch*)
- **English Name**: Rose Dipladenia
- **Description**: This illustration showcases *Dipladenia rosa-campestris*, a striking flowering plant known for its showy pink to deep red trumpet-shaped flowers. Native to tropical regions of South America, particularly Brazil, *Dipladenia* belongs to the family Apocynaceae and is prized in horticulture for its vibrant blooms and ability to climb. Fitch's illustration emphasizes the waxy leaves and the vivid color of the petals, bringing the plant to life on the page.
#### 2. **Begonia fuchsioides** (*Hook.*)
- **English Name**: Fuchsia-flowered Begonia
- **Description**: The *Begonia fuchsioides* is depicted with its characteristic red, pendulous flowers, which closely resemble the blooms of fuchsia plants. This species of Begonia is native to tropical regions and is popular for its delicate, bell-shaped flowers and glossy leaves. Fitch’s attention to the arrangement of the leaves and the contrast between the flowers' vibrant red and the soft green leaves provides a lifelike representation of this exotic plant.
#### 3. **Agalmyla staminea** (*Blume*)
- **English Name**: Staminate Agalmyla
- **Description**: This illustration captures the unique red tubular flowers of *Agalmyla staminea*, a plant native to Southeast Asia. The species is part of the Gesneriaceae family and is known for its bright, showy flowers that grow in dense clusters. Fitch’s careful rendering of the plant’s leaves and the intricate veining, along with the vibrant red flowers, highlights his talent for bringing the botanical subject to life with both scientific accuracy and artistic flair.
### About the Makers
#### **Walter Hood Fitch** (Artist and Lithographer)
Walter Hood Fitch (1817–1892) was one of the most influential botanical artists of the 19th century, working primarily with Sir William Hooker and later his son, Joseph Dalton Hooker, at Kew Gardens. He produced thousands of illustrations for various botanical publications, including *Curtis’s Botanical Magazine*, where he was responsible for the majority of its plates from 1834 to 1877. Fitch’s mastery of lithography allowed him to create richly detailed and accurate depictions of plants, with a particular talent for illustrating both the botanical structure and the vibrant colors of flowers.
#### **Sir William Jackson Hooker** (Director and Editor)
Sir William Jackson Hooker (1785–1865) was a prominent British botanist and the director of the Royal Botanic Gardens, Kew. Under his leadership, Kew Gardens expanded its collection of plants from around the world, and Hooker was instrumental in promoting the scientific study and illustration of these species. As the editor of *Curtis’s Botanical Magazine*, Hooker collaborated with Fitch to document and share the beauty and diversity of plants with the scientific community and the public.
### The Lithographic Technique
Lithography, particularly chromolithography, was a crucial innovation in botanical illustration. Fitch was skilled in the traditional method of lithography, where an image was drawn onto a stone plate with a greasy substance and then inked for printing. Hand-coloring was often applied afterward to bring the prints to life, as seen in these illustrations. This method allowed for highly detailed, accurate representations of plants and their botanical features, making it invaluable for both scientific study and aesthetic appreciation.
### Conclusion
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