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Bukhara Uzbek Costume Print – Antique Hand-Colored Lithograph, 1854
$344.40
£254.95
€290
CA$474.50
A$528.66
CHF 275.99
MX$6,418.64
NOK 3,468.96
SEK 3,279.01
DKK 2,208.11
About the Item
Bukhara Uzbek Costume Print – Antique Hand-Colored Lithograph, 1854
This antique hand-colored lithograph, published in 1854 in Album des Voyages Anciens et Modernes by Martial Ardant Frères, depicts a man from Bukhara, identified as an Uzbek (*Usbek*). The city of Bukhara, a key center of trade and culture on the Silk Road, was long renowned for its distinctive traditions, rich textiles, and strategic importance in Central Asia.
The figure is dressed in a flowing green robe with a yellow lining, worn over a long white tunic and trousers. His costume is secured at the waist with a multicolored striped sash, into which a dagger is tucked, a symbol of readiness and masculinity. On his head sits a massive white turban, wrapped high in the Central Asian style, marking both cultural identity and regional fashion. Red boots complete his attire, providing a vivid splash of color against the otherwise restrained palette. His posture, with one hand gesturing outward, suggests authority and confidence.
For 19th-century Europeans, Bukhara was both exotic and politically significant, as it represented one of the key khanates of Central Asia at a time of growing Russian and British interest in the region during the “Great Game.” Costume prints like this one gave European readers a glimpse of peoples and fashions rarely seen firsthand, reinforcing the fascination with Silk Road cultures.
The hand coloring in this plate is particularly striking, with the deep green robe, crimson boots, and multicolored sash creating a balanced yet vibrant composition. As part of the Album des Voyages Anciens et Modernes, this lithograph combines ethnographic curiosity with decorative artistry, making it valuable both historically and aesthetically.
Condition report: Light marginal foxing and toning, consistent with age. Image area bright and clean, colors remain vivid. Plate mark visible. Paper stable with wide margins.
Framing tips: A gilt frame with a cream mat will bring out the richness of the robe and turban. A dark wood frame with a green mat will harmonize with the deep tones of the cloak while emphasizing the warmth of the red boots.
Technique: Hand-colored lithograph
Maker: Martial Ardant Frères, Paris & Limoges, 1854
- Dimensions:Height: 10.71 in (27.2 cm)Width: 7.09 in (18 cm)Depth: 0.01 in (0.2 mm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1854
- Condition:Condition report: Light marginal foxing and toning, consistent with age. Image area bright and clean, colors remain vivid. Plate mark visible. Paper stable with wide margins.
- Seller Location:Langweer, NL
- Reference Number:Seller: BG-14120-211stDibs: LU3054346397112
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Located in Langweer, NL
"1844 Lithograph of a Bukharan Uzbek: Traditional Attire and Craft"
Description: This 1844 lithograph captures a traditional Bukharan Uzbek man, from the renowned series "Moeurs, Usages et Costumes de tous les Peuples de Monde" by Auguste Wahlen.
Published in Paris using the technique of handcoloured lithography, enhanced with Arabic gum on vellin paper, this print vividly portrays the rich cultural attire unique to Bukhara, Uzbekistan.
The man's elaborate robe and distinctive headwear highlight the regional fashion and craftsmanship. The print’s appeal lies in its detailed depiction of historical dress and accessories, offering a window into the cultural diversity of Central Asia. Such prints are treasured for their historical value and intricate artistry, making them highly desirable to collectors and enthusiasts of ethnographic art.
The lithograph depicting a man from Bukhara, Uzbekistan, offers several intriguing cultural and historical insights:
1. Traditional Attire: The attire of the Bukharan man, particularly the elaborate robe and turban, is a rich display of Uzbek textile craftsmanship. Traditional robes, often made from silk and cotton, are adorned with intricate ikat patterns—a dyeing technique where threads are dyed before weaving. This style is emblematic of Uzbekistan's well-known textile industry.
2. Turban Significance: The turban, known locally as a "doppa" or "tubeteika," is more than just practical headwear; it serves as a cultural symbol of status and identity. The style, color, and way it is worn can convey information about the wearer's social status, region, and even his clan affiliations.
3. Historical Context: Bukhara was a pivotal Silk Road city, making it a melting pot of cultures, languages, and religions. The diverse influences are reflected in the traditional clothing, which blends Persian, Turkic, and nomadic styles.
4. Artistic Technique: The use of handcoloured lithography in the 19th century allowed for high-quality, detailed prints that were more accessible to the European public. This technique involved drawing on limestone with a greasy medium, then using water and oil-based ink to print vibrant images, which were then painted by hand.
5. Cultural Preservation: Prints like this serve not only as artwork but also as historical documents that preserve and share the cultural heritage of regions less known to the Western world at the time. They played a crucial role in educating and influencing perceptions about distant cultures during the 19th century.
This print, therefore, is not just a beautiful piece of art but a deep well of cultural history and craftsmanship, reflecting the rich tapestry of life in Central Asia during the 19th century.
Keywords:
- Antique Uzbek prints
- Handcoloured lithography
- 19th-century Central Asian costumes
- Auguste Wahlen lithographs
- Traditional Bukharan attire
- Ethnographic art prints
- Collectible cultural lithographs
- Historical Uzbek fashion
- Asian historical prints
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