"Capture of Major Andre" Color Engraving After Asher Durand, circa 1846

Presented is one of the most important historical prints ever published, "The Death of General Wolfe," an engraving by William Woollett, after the painting of the same title by Benja...

This is a first edition print of Rough Shooting, signed by the artist, Douglas Adams. The print was published by Thomas McLean and depicts a highlands s...

This 1864 engraving features the Emancipation Proclamation in elaborate calligraphic text, with five patriotic vignettes and a small portrait of Lincoln. This is the second issue of ...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

This engraving, created by T. Bonnor in 1768, depicts a harrowing scene of 'women on an island in the Strait of Magellan' resisting capture or death at the hands of Dutch pirates und...

This engraving illustrates the capture of Limburg by Spanish forces under the command of Alexander Farnese, Duke of Parma, in 1578 during the Eighty Years' War. The scene vividly dep...

The Capture of Tarragona, June 28, 1811 - Dramatic Napoleonic War Engraving This striking 19th-century engraving, titled "La prise de Tarragon, le 28 juin 1811," depicts the French ...

In good condition From a private collection Free international shipping Josep Llovera i Bufill (1846-1896) Spanish Engraving "Liquor Store"