Engraving of Amalia, Princess of Orange, 1757

Antique print titled 'Vue de la Rde de Tinian Gezigt van de Rheede van Tinian (..)'. Views of the south-west side of the island of Tinian and a view of the anchorage of Tinian, w...

Antique print titled 'Dabul'. Old print of the port city Dabhol in India. In the 15th and 16th centuries, Dabul was an opulent Muslim trade center. Around 1660 it was annexed to th...

Rare antique portrait (proof/proefdruk c.1750) titled 'Amelia, Gravinne van Solms, gemalinne van Frederik Hendrik, Prins van Oranje enz enz.'. Engraving of Amalia, Princess of Orange...

Antique map titled 'Kort over det Lille Bukarie og de naest graensende Lande. af Engelske Skribentere ved N. Bellin Ingenieur ved Marinen efter Söe Etaten'. Map of present-day Turkmenistan, Uzbekistan, Afghanistan, Tajikistan, Kyrgyzstan including part of China. Originates from 'Almindelig histoirie over reiser til lands og bands (..)'. This 17 volume set is a translation of Collection of voyages and travels edited by Awnsham and John Churchill and Thomas Osborne...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

Presenting a Rare Lynn Bogue Hunt engraving of ducks unlimited 1940. This piece cam from a wealthy estate in Dallas, TX with the mansion being built...

This is the 1889 William H. Overend (1851-1898) and Lionel Smythe (1839-1918) first edition, photogravure of the Calcutta Cup – a Rugby match between Scotland and England, that has been played over 100 times, the first match...