Gabriel Godard Original Lithograph

A small and early work by the important Argentine painter Antonio Segui.

Original Vaclav Vytlacil lithograph, printed offset, signed in the plate. Published 1937, as part of portfolio (approximate edition of 500) by The Squibb Gallery NYC, for the first exhibition of the AAA: American Abstract Artists...

Ilse Getz (1917-1992) untitled 1962 oil/canvas with collaged found objects. Signed lower left of center and signed and dated on the stretcher.

Two Mourlot printed Lithographs, Rene Genis and Guy Bardone. Each paper size: 18.50" x 24.75", plate size: 16" x 22". Shipped rolled in a 6" 'sono' tube.

An abstract, black and white lithograph contained in an interesting shape enclosed by clean negative space. It is part of a series which would be perfect to make a composition on a w...

Original Lithograph by Van Velde Bram, Signed and Numbered 50/100, XXth Century. H: 61cm and W: 84cm with frame: H: 90cm, W: 113cm, D: 2cm.

ABOUT A midcentury limited edition color lithograph on wove paper of female and male figures arranged in a collage. The piece is signed in pencil and numbered 14/25, dated 1967. ...

Vintage Lithograph Johnny Friedlaender: 1912 - 1992 circa 1968 Very nicely framed with gold frame and linen mat. Ready to hang. Frame Size: 21" W x 23 3/4" H Visible Image Size: 14" W x 17" H "Johnny Gotthard Friedlaender (1912-1992), printmaker and painter, was born in Pless, Prussian Silesia (Germany) on June 21, 1912, the son of a pharmacist. He moved to Breslau in 1921 and, in 1928, he enrolled at the Breslau Art Academy where he attended master classes taught by Otto Mueller, a member of Die Brücke. During his academy years Friedlaender worked in lithography and etching. In 1930, he moved to Dresden, where his work was included in group exhibitions at Galerie J. Sandel and, in 1936, he traveled to Czechoslovakia, Switzerland, Austria, France, and Belgium. Friedlaender and his young wife fled the Nazi regime in 1937 settling in Paris as political refugees. In 1938 and 1939, Friedlaender worked at the literary weekly magazine Marianne on Paul Chadourne's recommendation. From 1939 to 1943 he was interned in a series of concentration camps. After the war, the Friedlaenders returned to Paris in 1945, in 1947 he became a member of the Salon de Mai, and in 1950 he became a French citizen. "Friedlaender worked for various journals and focused on etching as his main medium of expression. He became one of the great innovators in color printmaking and a school formed in Paris around his work as a painter and printmaker. From his Paris atelier Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain...