Grant Wood Original Stone Lithograph, 1940 - "December Afternoon"

Amber color blown glass vases (Italian?) with engraved designs. Etched glass, ground pontil, circa 1940s. One vase features aquatic life: Seahorses, Starfish, etc. One vase featu...

Completely unique freeform abstract blown glass vessel by California artist and teacher Dr. Robert Fritz. (b. 1920 d. 1986) Signed by the artist on base "Fritz". Made in the 1960’s/1970’s. Beautifully iridized. Measures: 8" H x 6" W. In mint condition. Robert C...

Modern scarab design vintage mixed metal necklace made in Mexico by ex-pat artist Ken Beldin 1940s and 1950s. Signed on the back: Ken Beldin. In excellent vintage condition. The pendant measures: 3" H x 2 1/4" W. The necklace chain is made of copper, shells, beads, and leather and is approximately 20" total length. The pendant bears a lovely green patina and hangs from the original chain. Ken Beldin (1900-?) was born in Mississippi and was educated at U. of C. Berkeley. He retired as head of a successful ad agency in Los Angeles in 1931 to travel through the Southwest. He worked for a time with Mexico’s National Railways attracting tourists to travel to Mexico by rail and was drawn into the rugged beauty of Mexico and its people. He set up a studio in Tenencingo South of Mexico City near Taxco and began creating one of a kind jewelry and sculpture. He was the custodian of a collection of archeological Pre-Columbian stones, and it was from these he derived his motifs. His "modern Ethnic" jewelry was considered to have the most feeling and the most authentic look of the Period. He worked throughout the 1940s and 1950s with copper, brass, steel, wood and leather. His work was admired and collected by some of the elite of Hollywood including Barbara Hutton, Edward G. Robinson, James Cagny and Sammy Davis, Jr. His friends in Mexico who also purchased his work were: Diego Riviera...

Beautiful pale green ceramic tray featuring white lilies. It is signed on the base by Miyagawa (Makuzu) Kozan (1842-1916). This tray has no damage and is in perfect condition. It measures 8"diameter and 1 1/8"high. It is a beautiful example of the work of this Meiji Era ceramic artist. Miyagawa (Makuzu) Kozan (1842-1916) was appointed artist to the Japanese Imperial household...

Framed mid 20th Century lithograph by British artist and printmaker, Alistair Grant (1925-1997). Dimensions (cm, approx): Height: 76 Width: 55.

This original and authentic Mid-Century Modern French stone lithograph designed by Jean Cocteau from the 1950s is for a ceramic exhibition of his pieces at Galerie Pont de Arts in th...

"October Afternoon" Maintains the appropriate markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph illustrates two men and their dog with young son (hunting rifle over shoulder) in tow, returning from the rabbit hunt with their catch being presented to the lady of the house with baby in arms. The gated mansion is in the background while geese float upon the fertile pond in the background. In addition to the Amon Carter Museum in Dallas, an example of "Pleasures of Winter" is in: The Metropolitan Museum of Art (Bequest of Adele S. Colgate, 1962) Museum of Fine Arts Boston (Donated by Lee M. Friedman) The Library of Congress The Yale University Art Gallery (Gift of Mabel Brady Garvan Collection) Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 21 1/4" h x 27 3/4" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is some slight foxing to the cream border and minor fading (see images), The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

Very abstract signed and numbered (21/150) Gabriel Godard lithograph of woods.