Historic Views of Fort Chambly: A Timeless Canadian Landmark Engraved in 1814

The print titled "AMERIKENS ENTDECKER" is a striking antique copper engraving, crafted in 1673 during the 17th century as part of the German edition of Arnoldus Montanus' influential work, "Die Unbekante Neue Welt" ("The New and Unknown World"). The engraving was executed by Jacob van Meurs, a renowned Dutch engraver and publisher known for his detailed works on geography and history, and it was published in Amsterdam. Description of the Print: The engraving measures 17 x 13 cm (approximately 6.6 x 4.7 inches) and is set on a page that is 31 x 19.5 cm (about 12.2 x 7.4 inches). It depicts a vivid scene that illustrates the discovery of America...

Three views of Fort James. The Dutch subtitles read: a) Grondtekening van ?t eiland St. James, op de Gambra Ao 1732. B) Noord-Oostlyk gezigt van ?t Fort St. James. C) Noord-Noord-Wes...

This engraving is part of a collection showcasing the beauty of England and Wales, a series that was common in the 18th and 19th centuries to celebrate and document the picturesque landscapes and significant towns of Britain. The text provided in the last image offers several details: 1. The title of the engraving is "BRIDGENORTH. Shropshire." 2. It was engraved by J. Greig from a drawing by the late E. Dayes. 3. The engraving was published in London by Vernor, Hood & Sharpe Poultry, February 1st, 1807. 4. It was created for "The Beauties of England and Wales." The artwork depicts Bridgnorth, a town in Shropshire, England. The engraving would have been intended to capture the charm and appeal of Bridgnorth, with its notable bridge and surrounding architecture. Engravings like this one were often collected by those who appreciated the artistry of such views and by those who were interested in the topographical and historical significance of the location. E. Dayes (the late Edward Dayes) was a well-known artist of the period, and J. Greig was the engraver who transferred Dayes' artwork into the medium of engraving. The publication date of February 1st, 1807, places this work in the early 19th century, a time when such engravings were a popular form of mass media, providing a visual understanding of places that many people might not have the opportunity to visit themselves. The engraving serves as both an artistic and historical record, capturing Bridgnorth in the early 19th century with a level of detail and craftsmanship that is characteristic of the period's topographical art...

This historical print, titled "Vue de la Rivière d'Endeavour sur la Côte de la Nouvelle Hollande ou le Vaisseau fut mis à la bande," is a significant representation of the east coast of Australia during the late 18th century. Here's a description of this remarkable artwork: - **Title**: Vue de la Rivière d'Endeavour sur la Côte de la Nouvelle Hollande ou le Vaisseau fut mis à la bande. [Tome IV Pl. 1ère.] - **Publisher**: Captain James Cook, with publication in Paris in 1773. - **Coloring**: Uncolored. - **Size**: Approximately 200 x 340 mm (7.9 x 13.4 inches). - **Condition**: In very good condition, with some visible fold lines, which is common for antique prints of this age. - **Description**: This print is historically significant as it represents the first known landscape drawing of the east coast of Australia. It depicts a view of the Endeavour River on the coast of New Holland (now Australia), where Captain James Cook's ship, the Endeavour, was intentionally grounded to undergo repairs after sustaining damage on a reef. The print provides a glimpse into the early exploration and navigation of this region. - **Artist**: The engraving is drawn after Sydney Parkinson, a Scottish Quaker, botanical illustrator, and natural history artist. Parkinson accompanied Joseph Banks...

A View of Cape Rouge, or Carouge, on the Saint Lawrence River, north of Quebec. Engraving by Peter Mazell after a drawing by Captian Hervey Smyth, published c.1760's, London. T...

A catalogue of engraved views, plans, etc., Of New York City, (The Collection of Percy R. Pyne II). Privately Printed by The De Vinne Press, New York, 1912. Limited to 100 copies. Gr...

Hand crafted etching by Glen Miller New Orleans artist. Etching tittle "The Chapel On The Hill" is part of a limited series of 100.

Wonderful image of Montreal Fine steel engraving Published by Thomas Kelly, London circa 1840 Unframed.