Island Leadership: The Chief and a Principal Woman of Santa Cristina, circa 1785

The engraving shows two individuals labeled as "A MAN of STA CHRISTINA." and "A WOMAN of STA CHRISTINA." On the left, the man is depicted with a direct gaze, curly hair, and a strip...

Antique print titled 'Opperhoofd van het Eiland St. Christina'. Antique print depicting a Chief of the Island Christina. Originates from 'Reizen Rondom de Waereld door James Cook (.....

The original antique engraving presents two individual portraits side by side. On the left is the "Portrait of POULAO, KING of the Friendly Islands," which refers to the historical ...

Antique print titled 'Le Chef d'une des Iles du Roi Georges Harangue les Marins de la Tamar'. This print illustrates the chief of one of the King George Islands, a subgroup of the Tu...

Antique map titled 'Cote Septentrional de la plus grande des Isles de la Reine Charlotte (..)'. Map and coastal view of the islands within the Queen Charlotte's Islands (Santa Cruz Islands...

Antique print titled 'Isles de la Reine Charlotte (..)'. A detailed chart of the Santa Cruz islands, to the north of the New Hebrides, with Carte...

Roy Lichtenstein A New Generation of Leadership (The Oval Office), 1992 offset lithograph in colors. image: 25 h × 32½ w in (63 × 83 cm) sight: 28½ h × 35⅜ w in (72 × 90 cm) Signed ...

A large, nicely-framed Italian hand-colored engraving in tones of terracotta and black (17th century, with more recent matte and frame) by Pietro Bartoli. The engraving depicts the mosaic ceiling in the church of Santa Costanza outside of Rome, which was studied by the ecclesiatical archaeologist Giovanni Ciampini. The mosaic ceiling no longer exists, but is known through various depictions of the artwork, such as this engraving. The images include Christian imagery including the sacrifice of Cain and Abel and possibly Noah building the ark. The upper row of mosaics is believed to represent scenes from the New Testament, with caryatids dividing the ceiling into twelve segments. The engraving is captioned in Latin: "Opus Musiuum olim in tholo Templi, quod vulgo creditur Bacchi, nunc Sancte Constantie extra Portam Piam cariatides, et Telamones in duodecium dividant Segmenta, ubi plura autumnales ferias, et piscationis Genium demostrant, iuxta interpretionem Ciampini qui mediatatem exhibet Veterum monum." In the 17th century, the church of Santa Costanza was known as the "Temple of Bacchus," and was the site of rowdy Bacchic festivals until Pope Clement XI banned the rites in 1720. Pietro Santo...

Original US film poster for the 1959 Horror film starring Susan Cabot, Anthony Eisley and Barboura Morris. The film was directed by Roger Corman. This poster is conservation linen...

Engraving by Jacques Grasset de Saint Sauveur. Jacques Grasset de Saint-Sauveur (1757-1810) was a draftsman. This print dates from 1798. Print engraved in black manner and colored. E...

Utilizing the peacock as an emblematic Art Nouveau animal, a favorite of early 20th-century illustrators and designers, Mr. Blackwell, who was born in 1925, delivers a powerfully aesthetic scene between a woman and a peacock in this lithograph, paying homage to both Art Nouveau and Art Deco. He was among others an American fashion critic, television/radio personality, and fashion designer. We can imagine that this drawing was a study for a dress paying homage to the myth and quintessence of the beauty found within peacock feathers. Like any artist, there is a story, structure, composition, and arrangement of the woman and the peacock, creating an iridescent visual of blue, green, and yellow, a dialogue between forms, curves, and lines. It is said that the Eye on the bird’s feathers reminds us that God is always watching. The off-white background is sober, crossed by two simple circular colored shapes, in the lower part. The two subjects initially appear as one entity, but as we move into the scene, we see that the woman is holding the peacock under her arm as one might hold an accessory. Then very quickly, it appears as the main figure, taking over the entire narrative rather than an accessory or a secondary figure. The peacock's regal posture, with its unfurled feathers, contrasts with the woman's near imbalance, almost as if she was fainting. It could also be interpreted as an intimate and seductive dance, where the two subjects come together as one to pay homage to a poetic and metaphorical world where aesthetics, fashion, and onirism converge. Did you know that peacocks use...

An 18th century copper plate hand-colored map entitled "Insulae Danicae in Mari Balthico Sitae utpote Zeelandia, Fionia, Langelandia, Lalandia, Falstria, Fembria Mona" created by Joh...