Marie Laurencin Pencil Signed Large Folio Limited Edition Lithograph "The Friend

Lithograph on wove paper. Signed on the plate lower right margin. L'Estampe Moderne's blind stamp on the bottom right corner.

Signed Photographic Print of the Washington Monument in Scaffolding a project designed by Architect Michael Graves. Signed on Verso Colin Winterbottom, Titled: Washington Monument wi...

Victor Vasarely Signed Sculpture "Linienspiel (Line Game)" Limited Edition Op Art Plexiglass Sculpture, 1981 Signed Lower Right, Numbered Lower Left 71/20. Acrylic Panels with line...

RARE French 17th-18th Century Enhanced Siege of Graves Mapping Engraving BY William III, also widely known as William of Orange, The Siege of Grave in Dutch Brabant started by Monsie...

Signed Ken Gore Oil on Canvas Painting . Titled on Verso "Riders on the Bridge". Ken ( Kenneth Leon) Gore was born in 1911 in Illinois. He studied at the Meinzinger Art School in Detroit. He was an important member of the Rockport/Gloucester art...

Robert R. Anderson (American,1946-2010). 'The Building of a Queen.' Acrylic painting on canvas, 1980.  Signed upper left. Title, signed and dated on stretcher to verso. Paper labels ...

A fantastic work by American/California artist Laddie John Dill (1943- ). This rather large color offset lithograph print is pencil signed, dated (2002), and numbered (66/250) by the artist. It has also been custom framed. Provenance: from the UCLA Medical Center Art Collection (there appear to be collection accession numbers on the paper frame backing). Would be a great addition to collectors of Dill's work or California artists or an eye-catching stand-alone modern art accent piece in about any setting. Laddie John Dill’s work can be found in such permanent collections as: Museum of Modern Art, NY Los Angeles County Museum of Art, CA Museum of Contemporary Art, CA; San Francisco Museum of Modern Art, CA High Museum, GA The Phillips Collection...

Exquisite in design and execution. This work, titled "Moon", is by Japanese master printmaker Toko Shinoda (1913-2021) who is universally known for her merging of traditional Japanese calligraphy with modern abstract expressionism and use of Sumi ink. This print is hand-signed in pencil, titled, dated (1965), and numbered (3 /10) by the artist. It is from a very limited and small edition thus scarce and rare. Would be a great addition to any collectors of Shinoda's work or Japanese or Asian art or print collection or an eye-catching stand-alone accent artwork in about any setting. Sure to draw attention. Shinoda's works can be found in numerous private collections and international museums including: Albright–Knox Art Gallery, NY Art Institute of Chicago British Museum, London UK Brooklyn Museum, NY Cincinnati Art Museum, OH Hakodate Museum of Art, Hokkaido Harvard Art Museums Kröller-Müller Museum, Otterlo, Netherlands Lehigh University Art Galleries Luxembourg Royal Collection Metropolitan Museum of Art (The Met), New York Museum fuer Ostasiatische Kunst, Berlin Museum of fine Arts, Boston Museum of fine Arts, Gifu Museum Folkwang, Essen Museum of Modern Art in New York, NY Museum of Modern Art, Toyama National Gallery of Victoria National Museum of Modern Art, Tokyo National Museum of Singapore Niigata City Art Museum Singapore Art...

Village Sous la Neige, 1955 Color heliograph Measures: 17 5/8 × 21 1/8 in 44.8 × 53.7 cm Edition 92/100 Signed in pencil lower right, "Vlaminck" and in pencil lower left "92/1...

An abstract lithograph titled "Exit" by the German-American artist Richard Lindner (1901-1978). In this print, two figures are in profile, facing inward. The top figure has orange ha...

A mint-condition lithograph (#70 of 200) by HRH Charles, Prince of Wales, titled "View of the Bay of Hong Kong from HMY Britannia". Painted as a watercolor, it is a scene of the Ro...

Leopard by Mark King. Expressionist serigraph on paper, signed lower right. Limited edition. Mark King, British (1931) Mark King was born in Bombay, India to British parents in 1931. King’s childhood was one of exotic experience and privileged education. After graduating from La Martiniére College in Calcutta, the sixteen-year-old King sailed to England to attend Bournemouth College of Art. There he studied painting, sculpture, architecture and theatre design. Subsequently, he spent seven years as the resident scenic designer at the Oxford Playhouse Theatre. In 1961, he decided to concentrate on painting, and he moved to Paris, where he studied at the École des Beaux-Arts and the Louvre. It was there that he developed his impressionistic style, influenced by the wealth of examples of European masters. Mark King describes his approach to painting as ninety percent preparation. “It takes a great deal of time for me but once I begin, I work with great impetus, with immense bursts of energy. It is not until the last ten or fifteen minutes before completion that I am able to see where the painting is going and to catch the mood of the moment.” Change has played an important role in both King’s art and life. “I have a need, artistically, for exposure to new ideas and images,” he says, and it was this need that brought him to America in 1968, a move that prompted a shift in his working methods. A landscape painter in France, King began to expand his subject matter to include sports. With his work as a sports artist King found the camera an indispensable tool, and began to work from photographs. Since coming to America...