Marine Mollusk Masterpieces: Artistry from the Depths, Hand-Colored in 1849

A pair of original atnique hand-colored engravings or lithographs depicting various mollusk species. They are from a work by the notable figure C. D'Orbigny's "Dictionnaire Universe...

This collage presents a curated anthology of mollusk illustrations, emphasizing the elegance of their spiral forms—a hallmark of marine gastropods. Each image, a hand-colored engravi...

Title: "Aquatic Elegance: Molluscan Diversity Illustrated" Description: This horizontal collage exhibits a selection of marine mollusks from the "Dictionnaire Universel d'Histoire N...

The three butterfly species depicted in the original hand-colored plates from the sixth edition of "A History of British Butterflies" by Morris, published in 1890, are a fascinating ...

A collage of two original antique prints from the "Dictionnaire Universel d'Histoire Naturelle," published in 1849. Description: This exquisite collage presents a selection of marine invertebrates, or zoophytes, from the celebrated "Dictionnaire Universel d'Histoire Naturelle". These detailed illustrations depict the intricate beauty and diversity of coral-like organisms, showcasing the scientific and artistic achievements of the 19th century. The delicate hand-coloring highlights the natural elegance of these sea creatures, making the prints both a scientific document and a piece of art. The species depicted in the prints from the "Dictionnaire Universel d'Histoire Naturelle," published in 1849, are as follows: **First Print:** 1. **Veretillum cynomorium** - Commonly known as the "sea pen," this species resembles a quill pen, hence the name. It's a type of soft coral in the order Pennatulacea. 2. **Actinia equina** - This is the common sea anemone, often found on rocky shores. 2.2 **Actinia equina (contracted)** - The same species, shown in a contracted state, which sea anemones can do when disturbed or when they are conserving moisture during low tide. **Second Print:** 1. **Flustra foliacea** - Also known as the "hornwrack," a type of bryozoan, which is a colonial organism...

This original antique engraving depicts a collection of marine mollusks, which are a diverse group of invertebrates living mostly in aquatic habitats. These are likely depicted for t...

Print from the Collection "Le Parroquet" representing Meunier parrot. Collection of two: - Meunier - Tavoua Printed manually on 100% cotton engraving paper in Florence Italy. E...

Print from the Collection "Le Parroquet" representing Tavoua parrot. Collection of two: - Meunier - Tavoua Printed manually on 100% cotton engraving paper in Florence Italy. Ea...

Fascinating set of six 19th century steel engraved etchings or prints of marine biology species. Five of the six prints were engraved by William Lizars London, England with signature...

Antique hand colored duck hunt engraving featuring a man with his gun in the field. Dimensions: 19.5" x 0.75" x 16.5" / Sans Frame - 11.5" x 8" (Width x Depth x Height)

Tableau des Pavillons Que la Plupart des Nations Arborent a La Mer- Marine Flags After Jacques-Nicolas Bellin. Copperplate engraving and et...

A large, nicely-framed Italian hand-colored engraving in tones of terracotta and black (17th century, with more recent matte and frame) by Pietro Bartoli. The engraving depicts the mosaic ceiling in the church of Santa Costanza outside of Rome, which was studied by the ecclesiatical archaeologist Giovanni Ciampini. The mosaic ceiling no longer exists, but is known through various depictions of the artwork, such as this engraving. The images include Christian imagery including the sacrifice of Cain and Abel and possibly Noah building the ark. The upper row of mosaics is believed to represent scenes from the New Testament, with caryatids dividing the ceiling into twelve segments. The engraving is captioned in Latin: "Opus Musiuum olim in tholo Templi, quod vulgo creditur Bacchi, nunc Sancte Constantie extra Portam Piam cariatides, et Telamones in duodecium dividant Segmenta, ubi plura autumnales ferias, et piscationis Genium demostrant, iuxta interpretionem Ciampini qui mediatatem exhibet Veterum monum." In the 17th century, the church of Santa Costanza was known as the "Temple of Bacchus," and was the site of rowdy Bacchic festivals until Pope Clement XI banned the rites in 1720. Pietro Santo...