Max Papart Modern Remembering Tomorrow Etching Signed

A bold and graphic etching and aquatint on wove paper titled “Morning Story” by Norman Ackroyd. Hand signed in pencil bottom right with a 1968 date and titled with an annotation of 3...

An introspective embossed etching with aquatint on paper titled “Man Without Structure” by Michigan artist Marilyn Levin Schecter. Hand signed in pencil on the bottom right, titled mid-bottom, and annotated 12/30 on the bottom left. A unique sun or moon like shape mends with a central figure. Schecter used photographic...

For your consideration is a fun, framed lithograph, entitled "Five Plus Five Plus Two," signed by Barbara Oldsheusky, numbered 181/300. In very good condition. The dimensions are 22....

A modern vintage exhibition postcard featuring the artwork “Masterpiece” by Pop Art artist, Roy Lichtenstein. Hand signed in the bottom margin. Masterpiece is a 1962 pop art painting...

MAX PAPART. Composition with the letter S. Color lithograph, signed and numbered 87/90. Image area approx. Measures: 48x47 cm.

A carborundum etching by Max Papart (France, 1911-1994) Untitled Signed and numbered 92/99.

Relief lithograph “Script Girl” Carborundum engraving Éditions B. Roulland Measurements 28 X 37 (H) cm. Details Signed by artist in the right Numbered 59/75 Provenance ...

Colour etching “Prova d’autore” signed localised and dated ‘Raphael Roma “70”. It depicts in his unmistakable style a couple pictured in an intimate but discreet pose. Antonietta Raphaël, the wife of Mario Mafai and co-founder of the Roman School, is here at the highest level of her artistic expression. This artwork, never before on the market, comes from an important private collection and is beautified by an impressive original frame in silvered wood, in almost perfect condition. Dimensions are frame included The painting is also protected by glass Antonietta Raphaël (1895 – 5 September 1975) was an Italian sculptor and painter of Jewish heritage and Lithuanian birth, who founded the Scuola Romana (Roman School) movement together with her husband Mario Mafai. She was an artist characterised by a profound anti-academic conviction, also affirmed by her sculptures which, especially after World War II, dominated her output. They highlighted the tender and vibrant carnality present in stone, with works such as Miriam dormiente (Sleeping Miriam) and Nemesis. A rabbi's daughter, Raphael moved to London with her mother after her father's death. There she attended the British Museum, and came to know Jacob Epstein and Ossip Zadkine, the renowned French sculptor of Russian origin and member of the Expressionist movement. However, Antonietta in those days concentrated on studying music, and eventually graduated in piano at the Royal Academy of Music and teaching solfeggio in the East End. At her mother's death in 1919, she moved to Paris and in 1924 to Rome. In 1925 Antonietta attended the Accademia di Belle Arti, befriended artist Mario Mafai and went to live with him, in a long-lasting relationship. They had three daughters: Miriam (1926), a journalist, partner of Communist politician Giancarlo Pajetta; Simona (1928) member of the Italian Senate and author; and Giulia (1930), a scenographer and costume designer. In 1927, Raphael and Mafai moved to an apartment in via Cavour...