Mirror frame Dutch print Coat of Arms of the King of Sardinia and Duke of Savoy

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Mirror frame Dutch print Coat of Arms of the King of Sardinia and Duke of Savoy

About the Item

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. The frame that encloses the print is very special and unusual; it was made in recent times by an old master cabinetmaker who has his workshop in the "coolest" district of Florence: San Frediano, known for the fascinating and unique "workshops" of artisans who produce with their own hands; the Master inserted four shiny mirrors on the sides of the flat part of the frame tilting them outward, while he painted the outer part and the inner thread with gold so as to create in the whole a very bright, elegant and sophisticated optical effect. The print is enclosed within the frame by a fine cream-colored passepartout with gold edging. The print, which is paperwork and not a book page, dating from the early 18th century, was made in Holland and depicts the coat of arms of Victor Amadeus II of Savoy, he was a historical figure who served as King of Sardinia and Duke of Savoy. Born on May 14, 1666, he reigned from 1675 until his abdication in 1730. Victor Amadeus II was a significant figure in the context of European history, particularly in the late 17th and early 18th centuries. He played a role in several conflicts, including the Nine Years' War and the War of the Spanish Succession. His reign saw the expansion and consolidation of the territories of the Duchy of Savoy and he pursued policies aimed at strengthening the state. In 1713, with the Treaty of Utrecht, Victor Amadeus II was granted the title of King of Sicily and later, in 1720, became King of Sardinia. He died on October 31, 1732. His reign had a lasting impact on the geopolitical landscape of the Italian peninsula and the broader European context of his time. During the 17th century, the Dutch were renowned for their innovative and meticulous printing techniques. One of the prominent techniques used during this period was the art of engraving. Engraving is a printing technique in which the artist uses a sharp instrument called a burin to engrave lines directly on a metal plate, usually copper, but sometimes zinc or steel. The artist uses the burin to create precise, clean lines; by varying the pressure and angle of the tool, a variety of textures and shading effects can be achieved. The engraved lines then contained ink, and the plate was used to transfer the image to paper through the printing process, often using a press. Dutch artists such as Rembrandt van Rijn and Albrecht Dürer were famous for their mastery of this technique. The Dutch Golden Age of the 17th century witnessed a significant flowering of this art form, and Dutch prints from this era are famous for their intricate details, rich textures, and skillful use of light and shadow. These prints played a crucial role in the spread of art and ideas throughout Europe, contributing to the wider cultural and artistic exchange of the time. The frame with the print is a unique piece that has considerable historical value and at the same time an inimitable and sought-after piece of furniture. The frame and print are in good condition. Measures width cm.27, height cm.33, depth cm.3, print measures cm.9 x 15. For all our shipments we use special packaging materials (custom-made wooden crates, styrofoam, etc.) for maximum protection and safety of the objects.

Dimensions:
Height: 13 in (33 cm)Width: 10.63 in (27 cm)Depth: 1.19 in (3 cm)
Style:
Modern (Of the Period)
Materials and Techniques:
Paper,Wood,Engraved,Gilt
Place of Origin:
Netherlands
Period:
Early 18th Century
Date of Manufacture:
1705-1720
Condition:
Wear consistent with age and use. The frame and print are in good condition.
Seller Location:
Prato, IT
Reference Number:
Seller: 137721stDibs: LU4632237176232