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New Zealand Botanical Hand-Colored Lithograph Set with Miro & Kawakawa, 1890
$649.81per set
£481.09per set
€540per set
CA$899.70per set
A$982.26per set
CHF 514.96per set
MX$11,929.94per set
NOK 6,431per set
SEK 6,072.58per set
DKK 4,111.14per set
About the Item
New Zealand Botanical Study – Hand-Colored Lithograph Set with Miro & Kawakawa, 1890
This charming trio of hand-colored lithographs comes from the rare 1890 New Zealand publication New Zealand Berries, a visual and botanical exploration of the country’s native flora. Rich in cultural and ecological significance, each plant is carefully rendered and labelled, complete with handwritten notes about its botanical characteristics and habitat. This set includes Podocarpus ferruginea (Miro), Piper excelsum (Kawakawa), and the illustrated title page, making it a visually cohesive and collectible ensemble.
The first plate depicts Podocarpus ferruginea, known as Miro, a tall evergreen tree of the podocarp family. The lithograph shows the fine, feather-like foliage and clusters of deep red berries set against a pale ground. These plum-like fruits were traditionally gathered and consumed by Māori and remain an important part of native forest ecosystems. The artist captures both the distinctive leaf structure and fruit form with botanical accuracy and artistic finesse.
The second image illustrates Piper excelsum, commonly called Kawakawa, a highly valued plant in Māori medicine. Known for its heart-shaped leaves and yellow-orange fruiting spikes, Kawakawa is one of the most iconic New Zealand native shrubs. The illustration focuses on the drooping branches, marked leaves, and cylindrical fruit, highlighting both its aesthetic charm and its medicinal importance. Māori traditionally used the plant for digestive and anti-inflammatory remedies, and it is still used today in herbal preparations.
The third image is the decorative title page of the New Zealand Berries collection, showing red and green berries entwined around an artist’s palette bearing the title in ornate Victorian script. The page is signed “E. C. Harris” and gives credit to the original publisher, H. D. Jackson of Nelson, New Zealand. It serves both as an artistic preface and an anchor for the botanical series.
Each print in this set was originally created as a lithograph and then finished by hand with watercolors, offering rich color variation and elegant detail. The combination of scientific information and aesthetic appeal makes this set a treasured piece for collectors of botanical art and New Zealand heritage.
Condition: Good condition. Minor toning and occasional foxing visible throughout, primarily in margins. No tears or repairs. Strong impressions and stable colors with some age-related patina. Paper remains firm and intact.
Framing tips: These prints pair well with light wooden frames or gold-toned frames for a more classic look. Use cream or soft sage-green mounts to highlight the leaf tones and berry colors. Displayed together, this set makes a refined and naturalistic wall composition.
Technique: Hand-colored lithograph
Maker: E. C. Harris, New Zealand, 1890
- Dimensions:Height: 12.29 in (31.2 cm)Width: 9.57 in (24.3 cm)Depth: 0.01 in (0.2 mm)
- Sold As:Set of 3
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1890
- Condition:Wear consistent with age and use. Condition: Good condition. Minor toning and occasional foxing visible throughout, primarily in margins. No tears or repairs. Strong impressions and stable colors with some age-related patina. Paper remains firm and intact.
- Seller Location:Langweer, NL
- Reference Number:Seller: BG-14116, -10, -111stDibs: LU3054346177392
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These beautiful hand-colored botanical illustrations, drawn and lithographed by the renowned artist Walter Hood Fitch, were featured in Sir William Jackson Hooker's *"Curtis's Botanical Magazine,"* published in London in 1847. Fitch was one of the most prolific and skilled botanical illustrators of the 19th century, known for his ability to capture the intricate details and vibrant hues of the plants he depicted.
Sir William Jackson Hooker, a famous British botanist and the director of the Royal Botanic Gardens, Kew, commissioned these illustrations as part of his work to document newly discovered plants from around the world. The *Curtis’s Botanical Magazine* has been published since 1787 and remains one of the longest-running botanical periodicals.
Detailed Descriptions of Each Plant
#### 1. **Dipladenia Rosa-campestris** (*Hortul. ex Veitch*)
- **English Name**: Rose Dipladenia
- **Description**: This illustration showcases *Dipladenia rosa-campestris*, a striking flowering plant known for its showy pink to deep red trumpet-shaped flowers. Native to tropical regions of South America, particularly Brazil, *Dipladenia* belongs to the family Apocynaceae and is prized in horticulture for its vibrant blooms and ability to climb. Fitch's illustration emphasizes the waxy leaves and the vivid color of the petals, bringing the plant to life on the page.
#### 2. **Begonia fuchsioides** (*Hook.*)
- **English Name**: Fuchsia-flowered Begonia
- **Description**: The *Begonia fuchsioides* is depicted with its characteristic red, pendulous flowers, which closely resemble the blooms of fuchsia plants. This species of Begonia is native to tropical regions and is popular for its delicate, bell-shaped flowers and glossy leaves. Fitch’s attention to the arrangement of the leaves and the contrast between the flowers' vibrant red and the soft green leaves provides a lifelike representation of this exotic plant.
#### 3. **Agalmyla staminea** (*Blume*)
- **English Name**: Staminate Agalmyla
- **Description**: This illustration captures the unique red tubular flowers of *Agalmyla staminea*, a plant native to Southeast Asia. The species is part of the Gesneriaceae family and is known for its bright, showy flowers that grow in dense clusters. Fitch’s careful rendering of the plant’s leaves and the intricate veining, along with the vibrant red flowers, highlights his talent for bringing the botanical subject to life with both scientific accuracy and artistic flair.
### About the Makers
#### **Walter Hood Fitch** (Artist and Lithographer)
Walter Hood Fitch (1817–1892) was one of the most influential botanical artists of the 19th century, working primarily with Sir William Hooker and later his son, Joseph Dalton Hooker, at Kew Gardens. He produced thousands of illustrations for various botanical publications, including *Curtis’s Botanical Magazine*, where he was responsible for the majority of its plates from 1834 to 1877. Fitch’s mastery of lithography allowed him to create richly detailed and accurate depictions of plants, with a particular talent for illustrating both the botanical structure and the vibrant colors of flowers.
#### **Sir William Jackson Hooker** (Director and Editor)
Sir William Jackson Hooker (1785–1865) was a prominent British botanist and the director of the Royal Botanic Gardens, Kew. Under his leadership, Kew Gardens expanded its collection of plants from around the world, and Hooker was instrumental in promoting the scientific study and illustration of these species. As the editor of *Curtis’s Botanical Magazine*, Hooker collaborated with Fitch to document and share the beauty and diversity of plants with the scientific community and the public.
### The Lithographic Technique
Lithography, particularly chromolithography, was a crucial innovation in botanical illustration. Fitch was skilled in the traditional method of lithography, where an image was drawn onto a stone plate with a greasy substance and then inked for printing. Hand-coloring was often applied afterward to bring the prints to life, as seen in these illustrations. This method allowed for highly detailed, accurate representations of plants and their botanical features, making it invaluable for both scientific study and aesthetic appreciation.
### Conclusion
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$413 Sale Price / set
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