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Norio Azuma Pencil Signed Serigraph "40th Anniversary"

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French Art Deco Dinanderie Metalware Vase Signed George
Located in Phoenix, AZ
A wonderful French Art Deco dinanderie vase in brass with silver metal incrustation. The brass body is cut where the silver design will be laid into the champleve sections and then s...
Category

20th Century French Art Deco Vases

Materials

Brass

Ken Beldin Vintage Jewelry Made in Mexico, Abstract Copper Pin, Signed
By Ken Beldin
Located in Phoenix, AZ
Beautiful vintage copper pin created in Mexico By ex-patriate artist Ken Beldin 1940s and 1950s. Measures: 3.5" H x 1.75" W Signed on the back: Beldin & Mexico. In excellent vint...
Category

Mid-20th Century Mexican Collectible Jewelry

Materials

Copper

Le Corbusier Cow-Hide Chairs by Cassina, Italy, 1965 - Signed and Numbered
By Le Corbusier, Pierre Jeanneret, Charlotte Perriand Cassina
Located in Phoenix, AZ
Pair of LC/1 chairs designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. Each chair measures 25.2 H x 23.63 ...
Category

Mid-20th Century Italian Chairs

Materials

Chrome

Rozenburg DenHaag Art Nouveau Vase, Late 19th Century
By Rozenburg Porcelain
Located in Phoenix, AZ
Rozenburg earthenware vase, Holland, circa 1890s. Polychrome enameled with stylized flowers. Painted mark: Rozenburg denHaag K522 and the stork symbol. Measures: 8.63" H x 4" W. Mint condition. The Rozenburg Royal Delftware...
Category

Antique Late 19th Century European Art Nouveau Bottles

Materials

Clay

Robert C. Fritz Art Glass Vase, circa 1970s
By Robert Fritz
Located in Phoenix, AZ
Completely unique freeform abstract blown glass vessel by California artist and teacher Dr. Robert Fritz. (b. 1920 d. 1986) Signed by the artist on base "Fritz". Made in the 1960’s/1970’s. Beautifully iridized. Measures: 8" H x 6" W. In mint condition. Robert C...
Category

Vintage 1970s Glass

Materials

Glass

Ken Beldin Large Scarab Design Pendant, Mid-Century Mexican Mixed Metal
By Ken Beldin
Located in Phoenix, AZ
Modern scarab design vintage mixed metal necklace made in Mexico by ex-pat artist Ken Beldin 1940s and 1950s. Signed on the back: Ken Beldin. In excellent vintage condition. The pendant measures: 3" H x 2 1/4" W. The necklace chain is made of copper, shells, beads, and leather and is approximately 20" total length. The pendant bears a lovely green patina and hangs from the original chain. Ken Beldin (1900-?) was born in Mississippi and was educated at U. of C. Berkeley. He retired as head of a successful ad agency in Los Angeles in 1931 to travel through the Southwest. He worked for a time with Mexico’s National Railways attracting tourists to travel to Mexico by rail and was drawn into the rugged beauty of Mexico and its people. He set up a studio in Tenencingo South of Mexico City near Taxco and began creating one of a kind jewelry and sculpture. He was the custodian of a collection of archeological Pre-Columbian stones, and it was from these he derived his motifs. His "modern Ethnic" jewelry was considered to have the most feeling and the most authentic look of the Period. He worked throughout the 1940s and 1950s with copper, brass, steel, wood and leather. His work was admired and collected by some of the elite of Hollywood including Barbara Hutton, Edward G. Robinson, James Cagny and Sammy Davis, Jr. His friends in Mexico who also purchased his work were: Diego Riviera...
Category

Mid-20th Century Mexican Collectible Jewelry

Materials

Metal

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Erte "Heat" Hand-Signed Serigraph
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Erté was born Romain de Tirtoff in St. Petersburg, Russia on November 23rd, 1892 and was raised amidst Russia's social elite. At the age of five he created an evening gown for his mo...
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Dorothy Bowman “Moonlit Horses” Serigraph, Signed
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Located in San Francisco, CA
A wonderfully kinetic abstract expressionist composition depicting a herd of majestic mustangs running free under the moonlight. It’s comprised of a multitude of complex, expertly la...
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Set of Three Signed Sturtevant Serigraphs
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Located in NYC, NY
A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...
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