Old Architectural Engraving of a Window of Palazzo Chigi, Rome, ca.1710

Antique print titled 'Altra Finestra del terzo piano parimente (..)'. Old print of a third floor window of Palazzo Chigi, Rome. This print originates from 'Studio d'architettura civi...

Antique print titled 'Finestra del medesimo piano Nobile (..)'. Old print of a window of Palazzo Chigi, Rome. This print originates from 'Studio d'architettura civile sopra gli ornam...

Antique print titled 'Altra Finestra del piano terreno (..)'. Old print of a ground floor window of Palazzo Chigi, Rome. This print originates from 'Studio d'architettura civile sopr...

Antique print titled 'Finestra del Piano Nobile ò sia secondo piano (..)'. Old print of a window on the second floor of Palazzo Chigi, Rome. This print originates from 'Studio d'arch...

Antique print titled 'Finestrone di mezzo che conduce nella Ringhiera (..)'. Old print of a window of Palazzo Chigi, Rome. This print originates from 'Studio d'architettura civile so...

Antique print titled 'Finestra del piano terreno del Palazzo (..)'. Old print of a ground floor window of Palazzo Chigi, Rome. This print originates from 'Studio d'architettura civil...

ST/556/1 - Old map of Corsica isle, surveyed by Captain Hell, of the French Royal Navy in 1824, engraved and published on 1874, with additions and corre...

ST/520 - Old rare Italian map of England, dated 1826-1827 - by Girolamo Tasso, editor in Venise, for the atlas of M.r Le-Sage.

Cartographer from Germany 1678-1757. Hand colored. Gilt wood frame. Estate of William Hodgins.

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Presenting a Rare Lynn Bogue Hunt engraving of ducks unlimited 1940. This piece cam from a wealthy estate in Dallas, TX with the mansion being built...

This 1865 engraving features the Emancipation Proclamation in elaborate calligraphic text, with five patriotic vignettes and a small portrait...