Original Poster by Piet Mondrian for Pace, 1970

Ellen Jewett's print "Yin and Yang in it" plunges into profoundly esoteric and symbolic realms. The vertical composition, divided into two parts, immediately draws attention to a dua...

Lovely vintage large poster of a drummer boy, in orange, black, white and blue, designed for the World Beat Festival in Kansas City in the summer of 1997....

This lithograph by Marcus Elliott features a post-modern woman portrait, titled "Woman In Watts". The blue and yellow zig zag lines used to depict its Venus operates as a metaphor fo...

The two original covers from "Le Rire", a late 19th Century Satirical Magazine, present a trial scene and a park scene. In the trial picture sketched by Willette, an upset judge ...

An abstract, black and white lithograph contained in an interesting shape enclosed by clean negative space. It is part of a series which would be perfect to make a composition on a w...

The field of coastal landscapes is a genre that has been explored by countless artists throughout history, "Beach Chairs" being a case in point, a lithograph signed in pencil, number...

Piet Mondrian Late 20th Centry Framed Print In original condition with minor wear consistent of age and use.

Piet Mondrian Switzerland, 1986 “Piet Mondrian” Kunstmuseum Basel. Vintage exhibition poster. H 90 x W 65 x D 3 cm

Highly collectible contemporary lithograph art poster of "Trafalgar Square" by Piet Mondrian, circa 1991. The poster, which is a reproduction ...

This graphic multiple was designed by Peter Phillips in 1970 and printed in a limited edition (82/125) by Jabik & Colophon Editor, since 1970. It feat...

Original vintage poster from an exhibit of French painter, Charles Camoin, vivid orange color with beige highlights. Charles Camoin (French: 23 September 1879-20 May 1965) was a French Expressionist landscape painter associated with the Fauves. He painted a portrait of Matisse, which is in the permanent collection of the Pompidou Museum in Paris. Born in Marseille, France, Camoin met Henri...

Antoni Clavé (5 April 1913 – 1 September 2005) was a Catalan master painter, printmaker, sculptor, stage designer and costume designer. He was nominated for two Academy Awards (Best Art Direction and Best Costume Design) for his work on the 1952 film Hans Christian Andersen. Clavé was one of Spain's best known and most celebrated artists. His work evolved from a baroque, ornamental style to a pure, minimal aesthetic. In his later years, his work is completely abstract, employing expressive lines and exploring the boundaries of collage, objet trove, shading, texture and color. He was trained at the School of Fine Arts, Barcelona, where he was taught by Angel Ferrant and Felix Mestres. With his works being influenced by artists such as Bonnard, Vuillard and Roualt. He is best known for his lyrical abstractions, works which combine paint with collage. Clavé fought in the Republican Army in the Spanish Civil War, and served as draughtsman for the Republican government. He arrived in France as a refugee in 1939 and went straight to Paris to work as an illustrator. His first one-man exhibition was held at the Au sans Pareil bookshop, 37 Avenue Kleber in Paris in 1940, where Max Ernst and other leading figures from the Dada movement had their first exhibitions in the 1920s. In 1944 Clavé met Picasso and began making figure compositions that were deeply influenced by Picasso's work, featuring kings, harlequins, children, and still lives. His theatrical designs have appeared on stages in New York, Munich, London and Paris, as well as in the 1952 film Hans Christian Andersen. His works include sets for opera, theatre, and ballet, most notably for Roland Petit's ballet company, Les Ballets des Champs Elysees (1945-1951) including Los Caprichos (1946) Carmen (1949) and a comic ballet choreographed by Roland Petit called Deuil en 24 Heures.In 1951 he designed La maison de Bernarda Alba (The House of Bernarda Alba) for director Marcel Achard at the Theatre de l'Oeuvre in Paris, and in 1962, a production of The Marriage of Figaro for Maurice Sarrazin at Théatre de la cour de l'Archeveché in Aix-en-Provence. In 1957 Clavé began to design carpets and from 1960 he began to work on sculptural bas reliefs...