Original Xerography Of Busts From Antiquity VI

Title: "Charles VI: The Well-Beloved Monarch" Description: This print depicts Charles VI of France, known as Charles the Well-Beloved, later nicknamed Charles the Mad due to his per...

This engraving, titled "Rosone preso da Frammenti Antichi," presents a detailed rosette that draws inspiration from classical motifs found in ancient fragments. The intricate design ...

Wonderfully executed collaborative engraving from the end of the 18th century. Artists Jean Baptiste Michel (Paris) & Willim Leney (London) printed by "W.H. Miller" muted color palet...

“In order to use colour effectively it is necessary to recognise that colour deceives continually.” Josef Albers “We never really perceive what colour really is, as it physically is. This fact makes colour the most relative medium in art.” Josef Albers “The structures are irrational statements which illustrate the artist’s claim that the eye seeks, in endless exploration, to fathom and master the contradictions of reversed symmetry. One begins to study the structure at some point where isometric order is suggested. One finds evidence for the reading of the work, but when one tries to take in the whole structure as a unit, new evidence requires a drastic reorganization of the work’s implications. That which was above shifts to below, that which was negative becomes positive, that which was full becomes vacant, that which was in front has moved to the rear. Having found a balance, the eye’s testing finds the entire constellation shifting into its reverse.” Gerald Nordland, in his essay for the “White Embossings on Gray” catalogue For sale, one print from Albers’ late in life exploration of color and perception, the “White Embossings on Gray” Series. For this series, renowned California print...

Set of 12 framed copper etched plates depicting various ancient oil lamps and candelabra excavated from Herculaneum in the 18th century. These high qua...

This engraving a compelling piece featuring two distinct profiles: one of a youthful figure with soft, flowing hair and the other of an older, bearded individual whose face is marked...