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Pioneer Scene: Awaiting the Return of Mr. Tinkham in the American West, 1856

$262.30

£194.33

€220

CA$359.34

A$398.72

CHF 208.86

MX$4,889.38

NOK 2,656.60

SEK 2,507.72

DKK 1,673.49

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About the Item

"Historic Pioneer Scene: Awaiting the Return of Mr. Tinkham in the American West" This evocative lithograph, titled "Awaiting the Return of Mr. Tinkham," captures a vivid moment of life in the American West during the mid-19th century. The scene is set in a barren yet majestic desert landscape, likely within the territory explored during the U.S. Pacific Railroad Surveys. The pioneers' encampment is depicted with remarkable detail, featuring tents, a cooking area, and individuals engaged in various activities as they await the return of Mr. Tinkham, presumably a key figure in their expedition. The inclusion of people from different backgrounds adds a narrative richness, hinting at the diversity and camaraderie typical of frontier life. It is possible that the scene titled "Awaiting the Return of Mr. Tinkham" could be set near Hell Gate, Montana, as this was an area of significance during the 19th-century exploration and settlement of the American West. Hell Gate was located near present-day Missoula, Montana, and served as a key location for fur trading and pioneer camps during westward expansion. As for Mr. Tinkham, he is likely identified as Albert Tinkham, a civil engineer and surveyor associated with the Pacific Railroad Surveys of the mid-19th century. These surveys were conducted to find feasible routes for the construction of the transcontinental railroad, which would connect the eastern United States with the Pacific coast. Tinkham worked under the command of prominent survey leaders such as Isaac I. Stevens, the governor of Washington Territory and leader of the northern route surveys. His role would have included mapping the terrain, documenting geographic features, and assessing the feasibility of specific routes. The depiction of pioneers awaiting Tinkham’s return suggests that he might have been exploring or scouting ahead to assess the conditions of the trail or terrain. This type of work was critical during such expeditions, as the information provided by surveyors determined the safety and viability of paths through challenging landscapes. Tinkham’s contributions to the survey efforts likely played an important role in shaping decisions about the railroad's eventual placement and the opening of the West to settlers and trade. The lithograph was executed using the hand-colored stone lithography technique, a process that blends artistic precision with vibrant hand-applied colors. This technique was widely used in the 19th century for its ability to produce richly detailed and enduring images. The subtle coloring enhances the atmospheric qualities of the scene, from the warm earth tones of the landscape to the delicate shading in the sky. This print is an excellent example of the intersection of art and history, offering a window into the daily life and challenges of Western pioneers. It holds particular interest for collectors of Americana, historic prints, and scenes documenting the exploration of the United States. Condition: The print is in good condition with light age-related toning and minor foxing at the edges. Colors remain vivid. Matting and Framing Tips: Use a neutral cream or pale beige mat to complement the tones of the print, and pair it with a simple wooden or bronze-tone frame. Non-reflective glass is recommended to enhance the visual depth while protecting the delicate lithography. Consider a wide mat border to highlight the historical significance and allow the image to stand out.

Dimensions:

Height: 8.15 in (20.7 cm)Width: 11.15 in (28.3 cm)Depth: 0.01 in (0.2 mm)

Materials and Techniques:

Paper

Period:

1850-1859

Date of Manufacture:

1856

Condition:

Condition: The print is in good condition with light age-related toning and minor foxing at the edges. Colors remain vivid.

Seller Location:

Langweer, NL

Materials

Paper

Located in Incline Village, NV

"October Afternoon" Maintains the appropriate markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph illustrates two men and their dog with young son (hunting rifle over shoulder) in tow, returning from the rabbit hunt with their catch being presented to the lady of the house with baby in arms. The gated mansion is in the background while geese float upon the fertile pond in the background. In addition to the Amon Carter Museum in Dallas, an example of "Pleasures of Winter" is in: The Metropolitan Museum of Art (Bequest of Adele S. Colgate, 1962) Museum of Fine Arts Boston (Donated by Lee M. Friedman) The Library of Congress The Yale University Art Gallery (Gift of Mabel Brady Garvan Collection) Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 21 1/4" h x 27 3/4" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is some slight foxing to the cream border and minor fading (see images), The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

Category

Antique 1850s Victorian Prints

Materials

Paper

Nathan Currier Lithograph "October Afternoon" American Country Life Series C1855

$2,500

O-Poth-Le-Yo-Ho-Lo by McKinney & Hall, 1842

Located in Kenilworth, IL

Hand colored lithograph portrait of "O-Poth-Le-Yo-Ho-Lo," a Creek Chief & speaker of the Councils, after the oil on canvas portrait by Charles Bird King. The lithographic portrait is from McKinney...

Category