Reflective Waters and Bygone Days: The Hampton Court Bridge Engraving, 1835

This steel engraving is a charming portrayal of Kew Bridge over the River Thames, as visualized by the artist J. Tingle after an original by William Tombles...

The image is an original steel engraving of Somerset House, a large Neoclassical building situated on the south side of the Strand in central London. The engraving was drawn by Tomb...

The engraving is an original uncolored print of Adelphi Terrace in London. This type of print would have been created by incising lines into a steel plate, which was then used to tra...

Antique print titled 'A Summer Noon: Hampton Court'. Original antique print of groups of figures in the garden of Hampton Court Palace, a group of...

Antique print titled 'The Rialto at Venice'. Old print of the Rialto Bridge (or Ponte di Rialto) in Venice, Italy. This print originates from 'One Hundred and Fifty Wood Cuts selecte...

Antique print titled 'Hampton Court'. Color printed woodblock of Hampton Court. This print originates from 'Picturesque Views of Seats of Noblemen and Gentlemen of Great Britain and Ireland' by the Rev. F. O. Morris. Published 1866-1880 by William McKenzie.

There is a set of six, 1918 Trow Bridge English candlestick engravings on handwoven paper, all different in styles.

Woodcut Engraving of "The Love of all Beauteous Things", poem by Robert S Bridges (1844-1930, British poet and poet laureate 1913-1930. by Henry Clarence Whaite (British 1895-1978) ...

Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), 1996, signed to the front and inscribed verso Title - Hampton Court Bridge from Cygnet Island, a London scene ...

"The Monument" W H Toms, scup (engraver) Plate size; 13.75 X 8.25 Frame size: 23.5 X 18 The print is hand colored, and framed with museum grade mat and carved frame.

Industrial Landscape engraving representing the banks of the Ruhr and Essen late 19th century, Germany Good condition Shipping: wooden case 64 8 33 cm Kg 4.   

Antique hand colored riverscape / landscape copperplate engraving based on a painting by Jacob Maurer and engraved by Paul Fourdrinier - A View of Westminster Bridge from Lambeth, published according to Act of Parliament 1754 for Stowe’s Survey of London. BIO: Paul Fourdrinier sometimes referred to as Peter or Pierre Fourdrinier, was an 18th Century engraver in England. Paul Fourdrinier, engraver and printseller, was born on 20 December 1698 in Groningen in the Netherlands, the son of Jacques Fourdrinier and his wife, Jeanne Theroude, Huguenot refugees from Dieppe, Normandy. He was a pupil of Bernard Picart at Amsterdam for six years, and came to England in 1720. He was employed in engraving portraits and book illustrations. He also engraved two works by Peter Monamy, marine paintings displayed in Vauxhall Gardens. The engravings were published in 1743, but may have been executed earlier. Starting in 1742 Fourdrinier produced a series of books consisting of numerous folding charts showing "The Succession of Colonels to all his Majesties Land Forces from their Rise to 1742", as well as many other details of British military and naval personnel. The 2004 edition of the Oxford Dictionary of National Biography makes it clear that in the 19th century edition of the Dictionary of National Biography this engraver's works and career were assigned to two individuals, Peter (or Pierre) and Paul Fourdrinier. Peter/Pierre is now seen to be a fictitious individual resulting from an accidental misnaming of Paul. Paul Fourdrinier is mentioned as the engraver of some of the works listed above, and he has been identified with the Paul Fourdrinier who was of the parish of St. Martin's-in-the-Fields, married to Susanna Grolleau, and who died in January or February 1758. The couple had at least five children, including a son Henry Fourdrinier, whose daughter, or granddaughter, Jemima Fourdrinier was the mother of Cardinal John Henry Newman...