Set of Biblical Engravings – Nativity, Luke the Evangelist & Annunciation, c1735

Set of 3 Biblical Engravings – Adoration, Flight to Egypt & Christ’s Baptism (1735) This refined set of three antique engravings, published in 1735, brings to life foundational even...

Set of 3 Biblical Engravings – St. Luke: Apostle Simon, Simeon’s Prophecy & Christ’s Circumcision (1735) This beautifully composed set of three antique engravings illustrates scenes...

Set of 3 Biblical Engravings – Epistles of Peter and John, Divine Inspiration Scenes (1735) This expressive set of three antique engravings, published in 1735, visualises theologica...

Set of 3 Biblical Engravings – Apostles Bartholomew & James, and John the Baptist (1735) This compelling set of three antique engravings, printed in 1735, presents key figures and m...

Set of six biblical prints from master French engraver, Jacques Callot, from his works of the Saints and Apostles. The works are float mounted with a deep beveled archival mat and fr...

18th-Century Set of Engravings of Seasons Signed by M. E. and J. J. Ridinger We present you two signed engravings (Elias Ridinger, 1730-1780 and Joh...

The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs. These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition. The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco. The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe. A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene. The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate. Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...

Image dimensions: 20 x 13 cm Saints John and Paul is an original modern artwork realized in the first decades of the XIX Century by the Italian artist Achille Parboni (1783-1841). ...