Traditional Islamic Attire of an Imam from Turkey, 1844 Lithograph

Title: "Chinese Laborers Gambling in Traditional Attire from Wahlen's 1844 Lithographs" Description: This hand-colored lithograph titled *Types chinois* (Chinese Types) showcases a ...

Title: "Jeune Fille Arabe in Traditional Attire from Wahlen's 1844 Lithographs" Description: This hand-colored lithograph, titled *Jeune Fille Arabe* (Young Arab Girl), is from the Asia volume of Auguste Wahlen’s "Moeurs, Usages et Costumes de tous les Peuples de Monde" (Customs, Manners, and Dress of All the Peoples of the World), published in 1844. The print was created by an anonymous engraver after Wahlen’s work, with artists like Evrard Duverger, L. Markaert, and R. King contributing to the collection. Enhanced with Arabic gum on vellum paper, the lithograph offers a striking representation of an Arabian woman in traditional attire, including a striped dress, animal-print shawl, and ornate jewelry. Cultural and Artistic Insight: The subject's attire reflects a blend of practical clothing and decorative elements, such as the striped fabric and the leopard-patterned wrap. Her jewelry, including bracelets and a headpiece, highlights her status or cultural identity. The presence of a background with tropical trees and village buildings suggests that this scene might depict a coastal or rural area, where both traditional and more exotic elements are incorporated into daily life. Attractiveness: The vivid hand-coloring, along with the detailed rendering of fabric patterns and accessories, makes this print particularly appealing. The glossy finish provided by the Arabic gum adds depth to the colors, giving the illustration a luminous quality. The juxtaposition of traditional Arabian dress...

"1844 Lithograph of a Bukharan Uzbek: Traditional Attire and Craft" Description: This 1844 lithograph captures a traditional Bukharan Uzbek man, from the renowned series "Moeurs, Usages et Costumes de tous les Peuples de Monde" by Auguste Wahlen. Published in Paris using the technique of handcoloured lithography, enhanced with Arabic gum on vellin paper, this print vividly portrays the rich cultural attire unique to Bukhara, Uzbekistan. The man's elaborate robe and distinctive headwear highlight the regional fashion and craftsmanship. The print’s appeal lies in its detailed depiction of historical dress and accessories, offering a window into the cultural diversity of Central Asia. Such prints are treasured for their historical value and intricate artistry, making them highly desirable to collectors and enthusiasts of ethnographic art. The lithograph depicting a man from Bukhara, Uzbekistan, offers several intriguing cultural and historical insights: 1. Traditional Attire: The attire of the Bukharan man, particularly the elaborate robe and turban, is a rich display of Uzbek textile craftsmanship. Traditional robes, often made from silk and cotton, are adorned with intricate ikat patterns—a dyeing technique where threads are dyed before weaving. This style is emblematic of Uzbekistan's well-known textile industry. 2. Turban Significance: The turban, known locally as a "doppa" or "tubeteika," is more than just practical headwear; it serves as a cultural symbol of status and identity. The style, color, and way it is worn can convey information about the wearer's social status, region, and even his clan affiliations. 3. Historical Context: Bukhara was a pivotal Silk Road city, making it a melting pot of cultures, languages, and religions. The diverse influences are reflected in the traditional clothing, which blends Persian, Turkic, and nomadic styles. 4. Artistic Technique: The use of handcoloured lithography in the 19th century allowed for high-quality, detailed prints that were more accessible to the European public. This technique involved drawing on limestone with a greasy medium, then using water and oil-based ink to print vibrant images, which were then painted by hand. 5. Cultural Preservation: Prints like this serve not only as artwork but also as historical documents that preserve and share the cultural heritage of regions less known to the Western world at the time. They played a crucial role in educating and influencing perceptions about distant cultures during the 19th century. This print, therefore, is not just a beautiful piece of art but a deep well of cultural history and craftsmanship, reflecting the rich tapestry of life in Central Asia during the 19th century. Keywords: - Antique Uzbek prints - Handcoloured lithography - 19th-century Central Asian costumes - Auguste Wahlen lithographs - Traditional Bukharan attire - Ethnographic art prints - Collectible cultural lithographs - Historical Uzbek fashion - Asian historical prints - Vintage Uzbek art...

The lithograph titled "Mingrelien" depicts a man from Mingrelia (historically part of Western Georgia), showcasing traditional attire and daily activities typical for the region. Here are some insights: This 1844 handcoloured lithograph captures a Mingrelian man engaged in daily activities, part of Auguste Wahlen’s "Moeurs, Usages et Costumes de tous les Peuples de Monde." Published in Paris, the print vividly illustrates the traditional dress and lifestyle of Mingrelia, a region known for its rich cultural heritage within Georgia. The man is depicted carrying a basket of grapes, suggesting involvement in viticulture, which is a significant aspect of Georgian agricultural practices. His outfit is practical yet colorful, with a combination of a red tunic...

Framed reprint of 1905 Druckerei Meyer lithograph depicting vertebrates in mating season colors. In original condition with visible wear including chip to corners of the frame. Other...

John Gould (English, 1804-1881), 'Ardetta Flavicollis', Australian Bittern, from 'Birds of Australia’, hand colored lithograph, published 1840-1848, framed.

A vibrant Period Mid Century Lithograph of a colorful and Abstract Lithograph. The image with trees in the foreground and central structures backed by mountains in the distance are d...

John Gould (English, 1804-1881), 'Rufous Backed Egret, Ardea Rufsata', Cattle Erget, 1832-1837, hand colored lithograph from 'The Birds of Europe', fra...