Two pages from "I Quattro libri dell'architettura" by Andre Palladio, c. 1715-20

Two copperplate architectural engravings of elevations and plans of English Neoclassic country houses from Volume III of Colen Campbell's "Vitruvius Britannicus". Archival mounted an...

Widescreen copperplate engraving of London on the Thames River from the Docklands. English, 1926. Dimensions: 20-1/4” W x 10-1/8” H x 3/4" D (framed)

Set of four original woodblock prints from “An Almanac of Twelve Sports” by William Nicholson. Included in the set are the works of January, May, July, and August. All works are arch...

Jay's Squirrel from the Audubon quarto edition of “Quadrupeds of North America”. The print has been archival mounted and framed in a period molding. Top left: No. 18 Top right: Plat...

Andrea Paladio was a Venetian architect of the 16th century who is still a reference today engraving representing an architectural work of the 16th century coming from a set publishe...

Andrea Paladio was a Venetian architect of the 16th century who is still a reference today engraving representing an architectural work of the 16th century coming from a set publishe...

Title: Diverse viste delli Dardanelli del Strecio, come delle Città e Castelli nel Arcipelago – Title page of the series, engraved by Jacob Peeters after Jan Peeters, Antwerp, circ...

This is the title page from "Recueil Des Plus Beaux Édifices Anciens et Modernes," a compilation celebrating the finest architectural designs and decorative works, published in 1761 and renewed in 1766. The engraving features an elaborate frame adorned with classical columns, cherubs, and cartouches. At the top, a medallion portrait is prominently displayed, flanked by richly detailed ornaments. Jacobs Vignellius, whose name appears on the medallion in the engraving, is not a widely recognized historical figure. His inclusion in the artwork might refer to an individual associated with architecture, design, or art history at the time. It is possible he was a patron, contributor, or editor connected to this collection of architectural and decorative works. Below, a collection of artistic and architectural elements, including a globe, drapery, and tools, symbolizes the artistic endeavors of the period. The engraving is signed by Babel as the engraver and P. Audouin as the publisher. Translation of Text: "Recueil Des Plus Beaux Édifices Anciens et Modernes. Including canopies, chimneys, doors, sideboards, altars, several organ cases, pulpits, confessionals, and others; works of carpentry, as well as innovations in ironwork such as grilles, balconies, railings for staircases, gates, hinges, and other items made by master craftsmen. From various pieces chosen and executed in gold and silver, comprising candelabras, chandeliers, candlesticks, lavers, lanterns, and other ornamental objects. Furthermore, church ornaments and the apparatus used for holy water basins and other sacred items, carved and painted decorations, and objects used for public ceremonies. Including the finest parts of architecture and ornamentation, executed according to the principles of art and proportion. Newly revised and corrected based on the most beautiful examples in this field. Dedicated to lovers of fine arts. Published in 1761 and renewed in 1766." Analysis: This title page exemplifies the Rococo style, characterized by intricate detailing, symmetry, and an emphasis on elegance and sophistication. The inclusion of cherubs and a medallion portrait underscores the celebratory nature of the publication. The ornate design of the title page reflects the opulence of the content, aimed at art and architecture enthusiasts. It serves both as an introduction to the collection and as a work of art in its own right. Potential Keywords for Catalog: Architectural engravings, 18th-century design, Rococo architecture, Jacques Rigaud...