'Untitled' Woodcut by Jean 'Hans' Arp, circa 1955, Hand Signed and Numbered
View Similar Items
'Untitled' Woodcut by Jean 'Hans' Arp, circa 1955, Hand Signed and Numbered
About the Item
- Creator:Jean Arp (Artist)
- Dimensions:Height: 19.69 in (50 cm)Width: 23.63 in (60 cm)Depth: 1.19 in (3 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1955
- Condition:Wear consistent with age and use. Excellent condition with some minor foxing to edges / near signature Sheet dimensions - W 27 x H 29cm.
- Seller Location:London, GB
- Reference Number:1stDibs: LU2276311550093
Jean Arp
Jean Arp was born Hans Arp on September 16, 1886, in Strasbourg. In 1904, after leaving the École des Arts et Métiers, Strasbourg, he visited Paris and published his poetry for the first time. From 1905–07, Arp studied at the Kunstschule, Weimar and in 1908 went to Paris, where he attended the Académie Julian. In 1909, he moved to Switzerland and in 1911 was a founder of the Moderner Bund group there. The following year, he met Robert and Sonia Delaunay in Paris and Wassily Kandinsky in Munich.
Arp participated in the Erste Deutsche Herbstsalon in 1913 at the gallery Der Sturm, Berlin. After returning to Paris in 1914, he became acquainted with Guillaume Apollinaire, Max Jacob, Amedeo Modigliani and Pablo Picasso. In 1915, he moved to Zurich, where he executed collages and tapestries, often in collaboration with his future wife Sophie Taeuber (who became known as Sophie Taeuber-Arp after they married in 1922).
In 1916, Hugo Ball opened the Cabaret Voltaire, which was to become the center of Dada activities in Zurich for a group that included Arp, Marcel Janco, Tristan Tzara, and others. Arp continued his involvement with Dada after moving to Cologne in 1919. In 1922, he participated in the Kongress der Konstruktivisten in Weimar and the Exposition Internationale Dada at Galerie Montaigne in Paris. Soon thereafter, he began contributing to magazines such as Merz, Mécano, De Stijl and later, to La Révolution surréaliste.
Arp’s work appeared in the first exhibition of the Surrealist group at the Galerie Pierre, Paris in 1925. In 1926, he settled in Meudon, France. In 1931, Arp was associated with the Paris based group Abstraction-Création and the periodical transition. Throughout the 1930s and until the end of his life, he continued to write and publish poetry and essays. In 1942, he fled Meudon for Zurich after which he was to make Meudon his primary residence again in 1946. The artist visited New York in 1949 on the occasion of his solo show at Curt Valentin’s Buchholz Gallery. In 1950, he was invited to execute a relief for the Harvard Graduate Center in Cambridge, Massachusetts. In 1954, Arp received the Grand Prize for Sculpture at the Venice Biennale. A retrospective of his work was held at the Museum of Modern Art, New York in 1958, followed by another at the Musée National d'Art Moderne, Paris in 1962. Arp died on June 7, 1966, in Basel.
Find original Jean Arp art on 1stDibs.
- Rare Karl Lagerfeld Limited Edition Daguerreotype Print - Signed and NumberedBy Karl LagerfeldLocated in London, GBRare Daguerreotype print by Karl Lagerfeld made in 2013 for his project 'The Glory of Water', a series of visual compositions of the most beautiful fountains in Rome. Signed bottom r...Category
2010s Italian Post-Modern Prints
MaterialsPaper
- Set of 3 - Framed Female Fluid Nudes by Barry Flanagan RA OBE, signed - c1990By Barry FlanaganLocated in London, GBLithographs on arches, with initials, inscribed AP and numbered in pencil. Published by Waddington Graphics, London. In new high quality black ash box frames.Category
Late 20th Century British Modern Prints
MaterialsPaper
- Untitled, the Show Is over / Christopher Wool & Felix Gonzalez-Torres, 1993By Christopher WoolLocated in London, GBUnited Kingdom - Offset Lithograph on Paper, from the original show 1993 Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They often feature enigmatic, confrontational found phrases or illegible scribbles, which are either stencilled or plastered in black across flat white fields. The artist occasionally covers the compositions with spray-paint marks and screen-printed elements (some taken from his previous works), erasing and relayering as he goes. His process—which focuses on the possibilities of reproduction, appropriation, and accretion—is as important as the results themselves. Wool studied at Sarah Lawrence College and the New York Studio School. New York’s vibrant 1970s downtown No Wave and punk scenes became major influences, and Wool reached his mature style in the mid-1980s. Wool has exhibited in New York, Los Angeles, Chicago, London, Paris, Tokyo, Berlin, and beyond, and his work belongs in the collections of the Museum of Modern Art, the Centre Pompidou, and the Tate. His work has achieved eight figures on the secondary market. Drawing from Minimalism and Conceptualism, Felix Gonzalez...Category
1990s British Post-Modern Prints
MaterialsGlass, Hardwood, Paper
- Flowing in the Right Direction by Peter Schmidt, 1971, Europaeische GraphikLocated in London, GBFlowing in the Right Direction from Europaeische Graphik VII, 1971; lithograph printed in colours, signed and numbered 2/65 in pencil, printed by the Curwen Studio, published by Wolfgang Ketter, with their blindstamp. Note: For a similar example see Tate PO6459 Presented in a new hardwood ebonised box frame. About the artist: Peter Schmidt...Category
Vintage 1970s British Modern Contemporary Art
MaterialsPaper
- Composition with a Figure by Teddy Millington Drake, circa 1963, SignedBy Teddy Millington-DrakeLocated in London, GBOil on canvas, Villa Albrizzi - Veneto, 1963 Teddy Millington-Drake (1932-1994) was a nomad, linguist, bon viveur, aesthete and master gardener, but above all an artist. Discharged from service and in part inspired by his sister's anecdotes of her travels abroad, Millington-Drake embarked on a painting tour that took him to Lebanon, Iran, Iraq and Syria. He then rented a house, the Villa Albrizzi at Este, Veneto in Italy, and became a more frequent painter, particularly now of abstract murals. He befriended Freya Stark, a writer and traveler who lived nearby, and in Venice he became friends with Daisy Fellowes, Peggy Guggenheim, Barbara Hutton and Elsa Maxwell. In Este, he painted continually and more boldly, turning his hand to abstract murals. He later transformed a neglected Tuscan farmhouse in the village of Poggio which was co-decorated by his friend the designer John Stefanidis. There were vine-hung terraces and a skillfully landscaped garden. A swimming-pool was built on a shelf cut into the hillside, so that you felt yourself gliding towards the horizon, suspended in space as you swam. There Millington-Drake worked passionately at all forms of painting. There are haunting large abstracts inspired by Jung, hard-edged acrylic wave paintings and some intriguing semi-calligraphic works on paper based on phrases taken from the works of poets such as Cavafy, Mandelstam and Elizabeth Bishop...Category
Vintage 1960s Italian Modern Paintings
MaterialsPaint, Canvas
- Postmodern 'Loto' Cast Iron Side Table by Hans von KlierBy Zanotta, Hans Von KlierLocated in London, GBProduced by Zanotta, Milan, 1990s. Cast iron base, anti-scratch embossed paint, anthracite color; conical element in replex, anthracite-colored recycled plastic with support rod ...Category
1990s Italian Post-Modern Side Tables
MaterialsAluminum, Iron
- Vintage Jean Arp Louisiana Museum Exhibition Poster “Arp”, Denmark, 1958By Jean ArpLocated in Copenhagen K, DKJean Arp Denmark, 1958 “Arp”. Louisiana Museum. Vintage exhibition poster. H 103 x W 73 x D 3 cmCategory
Vintage 1950s Danish Posters
MaterialsMetal
- Signed and Numbered Etching by Jean LurçatBy Jean LurçatLocated in Los Angeles, CAOriginal Jean Lurçat etching. Signed by the artist and numbered 44/85 in pencil. Born July 1, 1892, Bruyères, Fr. Died Jan. 6, 1966, Saint-Paul-de-Vence, Fr. French painter ...Category
Vintage 1960s French Modern Prints
MaterialsGlass, Paper, Wood
- Signed and Numbered Etching by Jean LurçatBy Jean LurçatLocated in Los Angeles, CAOriginal Jean Lurçat etching. Signed by the artist and numbered 44/85 in pencil. Born July 1, 1892, Bruyères, Fr. Died Jan. 6, 1966, Saint-Paul-de-Vence, Fr. French painter an...Category
Vintage 1960s French Modern Prints
MaterialsGlass, Wood, Paper
- Jean Hans Arp, Pencil DrawingBy Jean ArpLocated in Paris, FRPencil drawing on paper.Category
Vintage 1960s Drawings
MaterialsPaper
- Ziege Mit Geige a Framed Woodcut by Marc Chagall Signed and Numbered 12/20By Marc ChagallLocated in Keego Harbor, MIFor your consideration is a spectacular, framed woodcut, "Ziege mit Geige," signed by Marc Chagall, numbered 12/20, dated 1922/1923. In excellent cond...Category
Vintage 1920s Prints
MaterialsPaper
- Allen Jones Handed Signed and Numbered Serigraph “Self”By Allen JonesLocated in Chicago, ILA hand signed and numbered serigraph by Allen Jones in original frame. “Self”.Category
Vintage 1960s English Prints
MaterialsPaper