Valerio Adami Signed Limited Edition “Mon Atelier” Abstract Lithograph

Highly sought-after, limited edition screen print "Paysage de Ruines" by the renowned artist Valerio Adami. This print is a true masterpiece and a once in a lifetime opportunity to own a piece of art history. This screen print is a stunning representation of Adami's signature style, with bold colors and striking lines that capture the essence of the ruins it depicts. The print evokes a sense of nostalgia and history, making it a perfect addition to any art collection. This limited edition print is a true collector's item, as only a small number of copies were made. It is a rare opportunity to own a piece of art history by one of the most celebrated Italian artists of the 20th century. Don't miss out on the chance to add this beautiful piece to your collection. Whether you're an art enthusiast, a collector, or simply looking to add a touch of elegance to your home, this screen print is sure to impress. # 24/100 screenprint " Paysage de Ruines " by Valerio Adami. Signed and numbered in pencil by the artist. The measurements of the actual print, signature included, are H. 59 x W. 76.5 cm / 23.228 x 30.118 inches. NB : The screen print will be shipped without the frame. Valerio Adami (born 17 March 1935) is an Italian painter. Educated at the Accademia di Brera in Milan, he has since worked in both London and Paris. His art is influenced by Pop Art. Adami was born in Bologna. In 1945, at the age of ten, he began to study painting under the instruction of Felice Carena. He was accepted into the Brera Academy (Accademia di Brera) in 1951, and there studied as a draughtsman until 1954 in the studio of Achille Funi. In 1955 he went to Paris, where he met and was influenced by Roberto Matta and Wifredo Lam. His first solo exhibition came in 1959 in Milan. In his early career, Adami's works were expressionistic, but by the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French Cloisonnism, featuring regions of flat color bordered by black lines. Unlike Gauguin, however, Adami's subjects were highly stylized and often presented in fragments, as seen in Telescoping Rooms (1965). In the 1970s, Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. In 1971, he and his brother Giancarlo created the film Vacances dans le désert. In 1974 he illustrated a Helmut Heissenbuttel poem, Occasional Poem No. 27. Ten Lessons on the Reich with ten original lithographs {Gallerie Maeght...

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