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Vibrant Botanical Lithographs: Flamingo Flower and Sturt's Desert Pea, c.1855

$114.46per set
$143.07per set20% Off
£84.80per set
£106per set20% Off
€96per set
€120per set20% Off
CA$156.80per set
CA$196per set20% Off
A$173.99per set
A$217.48per set20% Off
CHF 91.14per set
CHF 113.92per set20% Off
MX$2,133.55per set
MX$2,666.93per set20% Off
NOK 1,159.24per set
NOK 1,449.06per set20% Off
SEK 1,094.28per set
SEK 1,367.85per set20% Off
DKK 730.25per set
DKK 912.81per set20% Off
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About the Item

Description of the Combined Lithographs Left Image: Anthurium Scherzerianum This lithograph features the Anthurium Scherzerianum, commonly known as the Flamingo Flower or Laceleaf, originating from Guatemala. This plant is recognized for its vibrant red spathes and uniquely coiled spadix, which make it a popular choice for ornamental purposes. The illustration captures the plant's striking red flowers and glossy, dark green leaves. The image is characterized by its rich color palette, bringing the exotic beauty of the Anthurium to life. Right Image: Clianthus Dampieri fl. albo The right lithograph illustrates the Clianthus Dampieri, also known as Sturt's Desert Pea. This plant is native to Australia and is celebrated for its distinctive, pea-like flowers, which in this particular variety are shown in a combination of red, black, and white colors. The flowers have a characteristic elongated shape with a glossy appearance, complemented by the plant's delicate green foliage. The vivid depiction in the lithograph highlights the striking contrast and unique form of this iconic Australian plant. Both lithographs come from the 19th-century botanical publication "Flore des Serres et des Jardins de l'Europe" by Louis van Houtte, a prominent Belgian horticulturist. Known for his detailed and vibrant plant illustrations, van Houtte's work aimed to capture the diversity of global flora. The lithographs are colored by hand, a technique that enhances their visual appeal and scientific accuracy. The condition of these prints is good, showing minor signs of aging like foxing and browning, typical of antique botanical artworks. This set has a rich patina. These images reflect the 19th-century fascination with exotic plants and the desire to document and celebrate botanical diversity.
  • Dimensions:
    Height: 9.45 in (24 cm)Width: 6.3 in (16 cm)Depth: 0.01 in (0.2 mm)
  • Sold As:
    Set of 2
  • Materials and Techniques:
  • Period:
  • Date of Manufacture:
    Circa 1855
  • Condition:
    The condition of these prints is fair, showing minor signs of aging like foxing and browning, typical of antique botanical artworks. This set has a rich patina.
  • Seller Location:
    Langweer, NL
  • Reference Number:
    Seller: BG-13748-25, BG-13748-261stDibs: LU3054341294482

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Exquisite Botanical Illustrations from Curtis’s Botanical Magazine (1847)
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These beautiful hand-colored botanical illustrations, drawn and lithographed by the renowned artist Walter Hood Fitch, were featured in Sir William Jackson Hooker's *"Curtis's Botanical Magazine,"* published in London in 1847. Fitch was one of the most prolific and skilled botanical illustrators of the 19th century, known for his ability to capture the intricate details and vibrant hues of the plants he depicted. Sir William Jackson Hooker, a famous British botanist and the director of the Royal Botanic Gardens, Kew, commissioned these illustrations as part of his work to document newly discovered plants from around the world. The *Curtis’s Botanical Magazine* has been published since 1787 and remains one of the longest-running botanical periodicals. Detailed Descriptions of Each Plant #### 1. **Dipladenia Rosa-campestris** (*Hortul. ex Veitch*) - **English Name**: Rose Dipladenia - **Description**: This illustration showcases *Dipladenia rosa-campestris*, a striking flowering plant known for its showy pink to deep red trumpet-shaped flowers. Native to tropical regions of South America, particularly Brazil, *Dipladenia* belongs to the family Apocynaceae and is prized in horticulture for its vibrant blooms and ability to climb. Fitch's illustration emphasizes the waxy leaves and the vivid color of the petals, bringing the plant to life on the page. #### 2. **Begonia fuchsioides** (*Hook.*) - **English Name**: Fuchsia-flowered Begonia - **Description**: The *Begonia fuchsioides* is depicted with its characteristic red, pendulous flowers, which closely resemble the blooms of fuchsia plants. This species of Begonia is native to tropical regions and is popular for its delicate, bell-shaped flowers and glossy leaves. Fitch’s attention to the arrangement of the leaves and the contrast between the flowers' vibrant red and the soft green leaves provides a lifelike representation of this exotic plant. #### 3. **Agalmyla staminea** (*Blume*) - **English Name**: Staminate Agalmyla - **Description**: This illustration captures the unique red tubular flowers of *Agalmyla staminea*, a plant native to Southeast Asia. The species is part of the Gesneriaceae family and is known for its bright, showy flowers that grow in dense clusters. Fitch’s careful rendering of the plant’s leaves and the intricate veining, along with the vibrant red flowers, highlights his talent for bringing the botanical subject to life with both scientific accuracy and artistic flair. ### About the Makers #### **Walter Hood Fitch** (Artist and Lithographer) Walter Hood Fitch (1817–1892) was one of the most influential botanical artists of the 19th century, working primarily with Sir William Hooker and later his son, Joseph Dalton Hooker, at Kew Gardens. He produced thousands of illustrations for various botanical publications, including *Curtis’s Botanical Magazine*, where he was responsible for the majority of its plates from 1834 to 1877. Fitch’s mastery of lithography allowed him to create richly detailed and accurate depictions of plants, with a particular talent for illustrating both the botanical structure and the vibrant colors of flowers. #### **Sir William Jackson Hooker** (Director and Editor) Sir William Jackson Hooker (1785–1865) was a prominent British botanist and the director of the Royal Botanic Gardens, Kew. Under his leadership, Kew Gardens expanded its collection of plants from around the world, and Hooker was instrumental in promoting the scientific study and illustration of these species. As the editor of *Curtis’s Botanical Magazine*, Hooker collaborated with Fitch to document and share the beauty and diversity of plants with the scientific community and the public. ### The Lithographic Technique Lithography, particularly chromolithography, was a crucial innovation in botanical illustration. Fitch was skilled in the traditional method of lithography, where an image was drawn onto a stone plate with a greasy substance and then inked for printing. Hand-coloring was often applied afterward to bring the prints to life, as seen in these illustrations. This method allowed for highly detailed, accurate representations of plants and their botanical features, making it invaluable for both scientific study and aesthetic appreciation. ### Conclusion These prints from *Curtis’s Botanical Magazine* reflect the height of botanical art in the mid-19th century. The combination of Walter Fitch...
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