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Victorian 19th C. British Lithograph of "the Races" Reverse Glass Matte Ca. 1875
$1,200
£914.22
€1,054.13
CA$1,679.38
A$1,876.42
CHF 981.58
MX$23,010.96
NOK 12,542.69
SEK 11,893.79
DKK 7,867.53
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About the Item
Wonderful polychromed lithograph under glass with reverse glass hand painted gold gilt rectangular double lined border, along with a hand painted black matte; unique; I have not seen this before. Scene is full of action depicting a country Sunday horse racing event in the English countryside; a traditional 19th century occurrence with the British aristocracy at that time. The picture is replete with the proverbial festivities of nobility on horseback; in full gallop etc, along with flag raising, and spectators watching the action near the finish line, and the usual pomp and circumstance for such an activity.
Unusual to find this presentation of an art form with the reverse glass black matting and gold outline; so much so that renowned Newman galleries thought enough of the picture to offer it from their inventory in their Philadelphia showrooms. They were in business from 1865; a well respected art gallery that sold works of art for over 150 years (see image with label affixed to rear).
Dimensions: 14 1/2" x 21" x 1 1/4" deep (glass matte and lithograph)
18" x 24 1/4" x 1 1/4" deep (with the 2" frame)
Provenance: From my own personal collection of art, furniture, and collectibles
Note: Basically this is "one of a pair" which are different enough to offer separately, but similar enough that a collector might want the both of them.
This one is depicts approaching the finish line while the other one portrays mid race. The other example is Wonderful polychromed lithograph under glass with reverse glass hand painted gold gilt rectangular double lined border, along with a hand painted black matte; unique; I have not seen this before. Scene is full of action depicting a country Sunday horse racing event in the English countryside; a traditional 19th century occurrence with the British aristocracy at that time. The picture is replete with the proverbial festivities of nobility on horseback; in full gallop etc, along with flag raising, and spectators watching the action near the finish line, and the usual pomp and circumstance for such an activity.
Unusual to find this presentation of an art form with the reverse glass black matting and gold outline; so much so that renowned Newman galleries thought enough of the picture to offer it from their inventory in their Philadelphia showrooms. They were in business from 1865; a well respected art gallery that sold works of art for over 150 years (see image with label affixed to rear).
Dimensions: 14 1/2" x 21" x 1 1/4" deep (glass matte and lithograph)
18" x 24 1/4" x 1 1/4" deep (with the 2" frame)
Provenance: From my own personal collection of art, furniture, and collectibles
Note: Basically this is "one of a pair"; the pair are different enough to offer separately, but similar enough that a collector might want the both of them.
This one depicts the riders approaching the finish line, while the other example portrays the horses and riders in mid race.
The other example is Item Reference LU973234828262
- Dimensions:Height: 14.5 in (36.83 cm)Width: 21 in (53.34 cm)Depth: 1.25 in (3.18 cm)
- Style:Victorian (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Circa 1875
- Condition:
- Seller Location:Incline Village, NV
- Reference Number:1stDibs: LU973234796852
About the Seller
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By Currier & Ives
Located in Incline Village, NV
This lithograph portrays a pleasant scene of a man in a top hat atop a handsome dark horse, with a boy riding a white horse (presumably father and son) in front of a country estate, while women gather as they water flowers, and children play with a lamb in the foreground. A man plows a field; while a horse is being groomed near the stable in the background. Afar and to the right is the sea dotted with ships here and there. The folio is mounted on cardboard and set in the matte.
It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is some toning and slight fading,
The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in their original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs.
This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named;
Spring "May Morning";
Summer "Summer Evening";
Fall ""October Afternoon"; and
Winter "Pleasures of Winter".
The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor.
The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business.
The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y."
"F.F Palmer...
Category
Antique 1850s American Victorian Prints
Materials
Paper
Nathan Currier Lithograph "October Afternoon" American Country Life Series C1855
By Currier & Ives
Located in Incline Village, NV
"October Afternoon" Maintains the appropriate markings along with "New York, Published by N. Currier 152 Nassau Street.
(The firm was located here in lower Manhattan from 1837-1872)
The lithograph illustrates two men and their dog with young son (hunting rifle over shoulder) in tow, returning from the rabbit hunt with their catch being presented to the lady of the house with baby in arms. The gated mansion is in the background while geese float upon the fertile pond in the background.
In addition to the Amon Carter Museum in Dallas, an example of "Pleasures of Winter" is in:
The Metropolitan Museum of Art (Bequest of Adele S. Colgate, 1962)
Museum of Fine Arts Boston (Donated by Lee M. Friedman)
The Library of Congress
The Yale University Art Gallery (Gift of Mabel Brady Garvan Collection)
Dimensions: actual= 16 1/2" h x 23 13/16" w
matte= 19 1/2" h x 25 1/4" w
folio= 21 1/4" h x 27 3/4" w
with frame= 26 1/4" h x 32 1/4" w
frame= 1 1/4" burl bird's eye maple
It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is some slight foxing to the cream border and minor fading (see images),
The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs.
This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named;
Spring "May Morning";
Summer "Summer Evening";
Fall ""October Afternoon"; and
Winter "Pleasures of Winter".
The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor.
The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business.
The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y."
"F.F Palmer...
Category
Antique 1850s Victorian Prints
Materials
Paper
N. Currier Lithograph" Pleasures of Winter" American Country Life Series C.1855
By Currier & Ives
Located in Incline Village, NV
"Pleasures of Winter" Maintains the appropriate markings along with "New York, Published by N. Currier 152 Nassau Street.
(The firm was located here in lower Manhattan from 1837-1872)
The lithograph portrays a woman leaving her stately home with her two children, being escorted by two drivers to ride in a double seated horse drawn sleigh. In the background is a snowy field with other houses and a loaded horse drawn timber sleigh.
In addition to the Amon Carter Museum in Dallas, an example of "Pleasures of Winter" is in:
The Library of Congress
The Springfield Museum (Massachusetts) Gift of Lenore and Sydney Alpert)
Metropolitan Museum of Art (Gift of Colgate 1962)
Museum of Fine Arts Boston (Donated by Lee M. Friedman)
Dimensions: actual= 16 1/2" h x 23 13/16" w
matte= 19 1/2" h x 25 1/4" w
folio= 21 9/16" h x 27 1/2" w
with frame= 26 1/4" h x 32 1/4" w
frame= 1 1/4" burl bird's eye maple
It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is minor foxing and a tideline upper center (see images).
The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs.
This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named;
Spring "May Morning";
Summer "Summer Evening";
Fall ""October Afternoon"; and
Winter "Pleasures of Winter".
The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor.
The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business.
The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y."
"F.F Palmer...
Category
Antique 1850s American Victorian Prints
Materials
Paper
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