Antique Darning Sampler, 1791, by Ann Manning

William IV Sampler, 1834, By Mary Thornhill. The sampler is worked in silk threads on a linen ground. Meandering strawberry border. Colours green, gold, silver, pink, brown and blue....

William and Mary period Band Sampler, 1693, by Sarah Maydman. The sampler is worked in silk threads on a linen ground, in a variety of stitches. Divider lines in various patterns. Co...

Victorian Sampler, 1839, by Emma Kite. The sampler is worked in silk threads on a linen ground. Meandering floral border. Colours green, blue, light brown, silver, black, gold and red. Verse reads, 'What is our God or what his name...

Georgian Band Sampler, 1796, by Margaret Hoskin. The sampler is worked in silk threads on a canvas ground, mainly in cross stitch. Divider lines in various patterns. Colours green, c...

American sampler of silk floss on linen with a modest zig-zag border framing an uppercase letter alphabet, followed by a cursive alphabet, a lower case alphabet, and the numerals one...

Antique American Needlework Sampler by Maria Morris, 1827, a needlework sampler on linen panel having alphabet and numerals, above a religi...

1819 Sampler made by Ann Wareing in Victorian period frame, English. An exquisitly preserved silk on fine linen sampler by Ann Wareing, May 12, 1819. A late George III piece in a Vic...

1833 Sampler made by Ann Crehlow(?) in antique pine frame, English. A huge, William IV period pictoral sampler with a hymn of praise called: The Beauties of Nature, Gratitude to the Supreme Being, Nature's Call to Gratitude. It dates from the late 18th century, reading "How cheerful along the gay mead, the daisies and cowslips appear". The whole is filled with typical sampler iconography. Stains, small losses. Georgian stone townhouse at base. Doves with olive branches...