Declaration of Independence Printed Scarf

Presented is a rare Centennial patriotic flag banner, dating to 1876. The flag’s brilliant blue canton is spectacular, with 81 five-pointed, rayed stars, arranged to read “1776” and “1876.” The flag’s design is completed with thirteen alternating red and white stripes. The flag is a three-piece, treadle-sewn sewn construction, printed on a thin wool and cotton blend. Along the edge, there is a narrow, treadle-sewn sleeve made of cotton tape. In the lead up to the nation’s Centennial in 1876, flag makers and individuals looked to the past for designs to produce as part of the country’s many celebrations. Popular interpretation of the stars and stripes undoubtedly reached its climax of variety and originality at the time of our Nation’s first Centennial. Since no design restrictions were placed on flagmaker’s imaginations and no strict distinctions were drawn between official and unofficial star counts, it is no surprise that, on the occasion of the Centennial, creativity in flag design was not the exception, but the rule. The cantons from this period presented an array of geometric abstractions. Great star patterns, referred to as the “starry flower of Liberty” by Oliver Wendell Holmes, that were popular from 1818 and on, resurfaced in Centennial flags...

Presented is a patriotic “New York” silk and metallic thread embroidered souvenir, dating to the early 20th century. The souvenir is a glorious and intricate crafted depiction of the...

PRINTED COTTON KERCHIEF GLORIFYING THE DECLARATION OF INDEPENDENCE, WITH TEXT AND REPRODUCED SIGNATURES, MADE FOR THE 1876 CENTENNIAL INTERNATIONAL EXPOSITION IN PHILADELPHIA Printed on cotton, this beautiful kerchief pays homage to the Declaration of Independence, through the reproduction of its text and 56 signatures, surrounded by a fanciful border. The latter contains the 13 state seals, which are dispersed around the perimeter in small medallion images. Note how Pennsylvania is highlighted among them, larger and in the bottom center, both because it served as the meeting place of the Second Continental Congress, and played host to the 1876 Centennial International Exposition, the six-month long World’s Fair event that was held in honor of our nation’s 100-year anniversary of independence. The names of twelve Revolutionary War generals are spread out between each crest, on each forward-facing turn of a scroll, that wraps around the pillar and leaf border on the right, left, and bottom. These include Washington, Lafayette, Johann de Kalb, Nathiel Greene, Ethan Allen, Henry Knox, Israel Putnam, Daniel Morgan, William Moultrie, Francis Marion...

EXTRAORDINARILY EARLY (1806) PRINTED LINEN KERCHIEF GLORIFYING GEORGE WASHINGTON, PRINT WORKS, GERMANTOWN, PENNSYLVANIA Printed in blue ink on coarse, white linen, this patriotic kerchief shows a standing portrait of George Washington, above which is a swag valance and the words “The Effect of Principle, Behold the Man”. The portrait is based on a mezzotint after Gilbert Stuart’s very famous painting of Washington in his later years, most often referred to as the Landsdowne portrait. Stuart painted three versions of it in oil on canvas, one of which was completed in 1796 for a wealthy merchant by the name of William Constable, who commissioned the work for Alexander Hamilton. The kerchief is interesting because it is both American-made and documented. This is exceptionally unusual for any printed textile of the 19th century or prior and the earlier the time period the more unlikely an object is to be identified. This kerchief and a companion piece entitled “The Love of Truth Mark the Boy” (also glorifying Washington, through the fabled story of the cherry tree), were made circa 1806 by Germantown Print Works in Germantown, Pennsylvania. To the left of Washington's image is a portion of his infamous farewell address to his troops at the end of the Revolutionary War. To the right is a short excerpt from his eulogy. Below these are three images. In the center is a square-rigged tall ship with “Commercial Union” above it, flanked by the American eagle on the left and the British lion on the right. It is reasonable to assume that the textile may have been produced in demonstration of the maker's desire, and/or that of others, to advance trade with England. Commercial printers were very influential in early America, as they possessed the means by which to disseminate information. This kerchief and its companion piece are documented in Threads of History, Americana Recorded on Cloth, 1775 - the Present, by Herbert Ridgeway Collins (1979, Smithsonian Press), p. 63, items 38 & 39.* The two pieces pictured are in the collection of Cornell University, but the Collins text also cites an uncut pair to be present in the collection of the Western Reserve Historical Society, Cleveland, OH. The name "Germantown Print Works" is printed on the Western Reserve examples. Another example of the textile in question is documented in "Running for President, The Candidates and Their Images, 1789-1896" by Schlesinger, Israel, and Frendt, (1994, Simon & Schuster), p. 15. I have seen three different color variations of this textile, including sepia, mulberry red, and blue. This particular example has a hand-sewn binding along the top, lower, and left edges. Mounting: The textile was mounted and framed within our own conservation department, which is led by expert staff. We take great care in the mounting and preservation of flags and have framed thousands of examples. The gilded molding has a rippled profile and dates to the period between 1825 and 1850.The background is 100% cotton twill, black in color. The glazing is U.V. protective plexiglass. Feel free to contact us for more details. Condition: There is an all-over golden oxidation of the white fabric and there is very minor staining. There are tiny tack holes in each corner and there are minor nicks around the perimeter. * Collins relates that Germantown Printworks was operated by the Hewsons. In doing so he cites one of Worthington Chauncey Ford's books on George Washington, but it isn't clear which one (there are many) and no page numbers are given. John Hewson was an Englishman who came to America and opened his printing business on the advice of Benjamin Franklin. He was one of the first “calico printers” and is the earliest documented to have advertised printed kerchiefs. His ads for bandanas appear as early as June 20th, 1774. He is suspected of having produced the very first American kerchief that pictured an American president, which is documented in Collins as item 1 on page 48. Linda Eaton, curator at Winterthur, in 2012, is currently doing in depth research on the three printers of fabrics that were operating in Germantown in early America. She discovered that the owner and/or operator of Germantown Print Works, while not currently known, was not John Hewson. This information is not yet published. She also noted that Winterthur possessed examples of the two George Washington textiles...