Framed Pre-Columbian Textile Fragment From Wari Culture

An antique pre-Columbia textile fragment likely from Peru Chancay culture in Central coast that thrived in the late Intermediate period/ late Horizon, A.D. 1200-1550. Abstract geomet...

Two small fragments of pre-Columbian textiles in shadow box frames. Both have strong geometrical patterns in the style of Nazca culture, located in the southern coast of nowadays Per...

Two framed pre-Columbian textile fragments from Chancay culture (1000AD-1470AD) in nowadays Peru. Both panels are of a similar red background and possibly wove...

Two pre-Columbian textile fragments presented in wood frames. Handwoven in colored yarn, possibly camelid fibers, these pieces were from Inca period circa 15-16th century. One panel is a classic Inca weave that was likely part of a mantle or cape. It has a multi-panel design with eight-point stars alternating with stylized animal and homomorphic figures, steps-design and abstract scrolling patterns. The second one features a multiple stripe design also with eight-point star and a mysterious figure sandwiched between stripes of geometrical patterns and plain borders. Presenting in a thin gilt wood and a carved dark wood frame...

An antique pre-Columbia textile panel from Chancay culture in Central coast of nowadays Peru. Chancay culture thrived in the late Intermediate period/ late Horizon circa AD. 1000-1470. The panel appears to be an intact shawl or head scarf, indicated by the overall integrity with the finished edges. It is a gauze-like linen/cotton open-square woven panel with supplemental embroidered horizontal bands that alternate between hooked diamond motifs and silhouettes of perched seabirds, one of the most favored animal forms in Chancay art. The color is quite vibrant with red contrasted by two shades of yellow on a darker brown background. The scarf such as this is thought to be associated with ceremonies and magic realm of death and burial practice. The textile is displayed on a dark line background under a newly made acrylic shadow box. Reference: For reading on the bird motifs in Chancay textile art, see page 141-183 of the book "Ancient...

A collection of four pre-Columbian textile fragments presented in groupings in two wood frames. The style of these textile indicate that they are from Inca period in nowadays Peru, circa 15-16th century. The larger single panel shows stepped check pattern, prominent in Inca textile...

Pre-Columbian Inka Textile Fragment - Peru, Ex Ferdinand Anton decorated with checkerboard and llama designs. It is a wonder to behold antiquities such as a Pre-Columbian Textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. Textiles are infinitely more delicate than wood, metal, or rock artifacts...

It is a wonder to behold antiquities such as a pre-Columbian textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. Textiles are infinitely more delicate than wood, metal, or rock artifacts...

Pre-Columbian textile fragment. It is a wonder to behold antiquities such as a pre-Columbian textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. Textiles are infinitely more delicate than wood, metal, or rock artifacts...

It is a wonder to behold antiquities such as a pre-Columbian textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. Textiles are infinitely more delicate than wood, metal, or rock artifacts...

Two rare vintage textiles by Verner Panton (Danish, Gamtofte 1926–1998). Spectrum for Mira - X AG from 1960s. Printed cotton (velvet). The textiles are represented on The Met, New Yo...

Mid 18th century european Tapestry Fragment. Measures: 1'9'' wide x 2'10'' long. Tapestries make integral part of the Flemish cultural heritage. Most of the tapestries have religious, mythological and historical subjects as well as hunting and harvest scenes. They are known for their high quality and extended use of colors. The oldest ones were made in the 13th century. The most important production centers were Doornik and Arras. These two centers got a lot of assignments of the Dukes of Burgundy. In the 14th century tapestries...