Frank Lloyd Wright for Schumacher Taliesin Textile, Tapestry Swatch, Blue, 1955

Large panel swatch Design 105 dating to Frank Lloyd Wright’s original 1955 collection for Schumacher. Extremely rare original large scale fabric, with surged edges to facilitate long...

Frank Lloyd Wright Schumacher Sheer textile panel, curtain or drapery. Extremely rare panel, large scale. Dana House fabric panel, #14730 (1955 / 1986) Measures: 4' 10" W x 7' 11" L.  

Frank Lloyd Wright for Schumacher Tokyo Imperial Hotel Geometric Textile Frank Lloyd Wright for Schumacher Imperial Peacock Textile. 54" x 80". Wright...

Frank Lloyd Wright Schumacher Sheer textile oversized sample reference, 1955 / 1986. Extremely rare set of large scale sheers (which are miniaturized...

Large vintage Suzani Uzbek Samarkand textile, Suzani means needlework and these embroideries are some of the most characteristic forms of tex...

Sven Markelius (1889-1970), Pythagoras drapery panel produced in 1952 by Ljungberg's Textile AB, Sweden for Knoll Associates, New York, NY. Overall dime...

Powerful original fabric panel designed by Verner Panton during 1969-1971. 100% cotton material, Art. VP-ON-22. Mira-X Collection Decor I., Made in Switzerland. The fabric panel is ...

This gorgeously refinished Honduran Mahogany 'Taliesin' Collection headboard for a twin sized bed was designed by Frank Lloyd Wright for Heritage-Henredon in 1955 and produced only for two years, therefore is now a highly sought-after and rare collectors item. This example is signed with a Heritage Henredon stamp on the lower front bar. Frank Lloyd Wright stated that one of his goals for this line was for the 'design to make the home more efficient as well as more beautiful'. Woven into each piece of this series was the chamfered wood edge with an abstracted Greek key motif, the signature detail of every Taliesin design, covering the edges of each item in the collection. All of the pieces were executed in Honduran Mahogany, a high-end luxury wood choice. His idea was to design ‘infinite adaptability to American living’, for example desks could double as dressing tables, small tables could be used as a chair or stool and bookcases had moveable tops transforming into room dividers. Decoration was limited to the greek key edges so that ‘is of the piece, not on it’ and the removal of elimination of any hardware door or drawer pulls in favor of cut out flush pulls...