Regency Period Sampler, 1824, by Eliza Brewster

Regency period Sampler, 1827, by Mary Ann Ragen. The sampler is finely worked in silk threads on a linen ground, mainly in cross stitch. Meandering strawberry border. Colours green, ...

Victorian Sampler, 1837, by Marianne Butland Gill. The sampler is worked in silk threads on a linen ground, mainly in cross stitch. A wonderfully worked meandering floral border. Col...

Victorian Sampler, 1839, by Emma Kite. The sampler is worked in silk threads on a linen ground. Meandering floral border. Colours green, blue, light brown, silver, black, gold and red. Verse reads, 'What is our God or what his name...

Victorian Sampler, 1849, by Jane Joslin. The sampler is worked in silk on a linen ground, mainly in cross stitch. Meandering strawberry border. Colours gold, pale blue, light brown, ...

1829 Sampler made by Elizabeth Ann Edmonds in period frame, English. An attractive George IV silk stitched sampler on fine background. Exquisite tiny stitches present a religious poe...

1833 Sampler made by Ann Crehlow(?) in antique pine frame, English. A huge, William IV period pictoral sampler with a hymn of praise called: The Beauties of Nature, Gratitude to the Supreme Being, Nature's Call to Gratitude. It dates from the late 18th century, reading "How cheerful along the gay mead, the daisies and cowslips appear". The whole is filled with typical sampler iconography. Stains, small losses. Georgian stone townhouse at base. Doves with olive branches...

Highly decorative sampler in its original birds eye maple frame By Elizabeth Deuxberry, 1846 Good strong colours. No fading Good condition / a couple of minor blemishes to the lin...

Nice original American sampler wrought by "Mary Nelson", circa 1837. The alphabet in capital letters and proverbial A,B,C's appear at the top in brown, each letter separated by a qua...